LATEST ADDITIONS

Bel Canto had several digital products on display including the CD3t CD Transport (pictured above) which includes both AES and SPDIF (via BNC connector) outputs at $1,495.

Playing in a side room was the C7R DAC Integrated Receiver with an amplifier section based on the companies REF150 and includes a built-in DAC, FM tuner, phono section and some pretty beefy speaker connectors on the back. This modest size box would make a great companion to the CD3t mentioned above. Retail is $2,995.

The company was also showing off a pair of product updates. The DAC3.5VB MK II includes an improved analog supply that Bel Canto claims better isolates the PCM1792 converter and a new, low-phase-noise main clock oscillator. Price is $5,895. The uLink USB-to-digital audio interface is now 24/192. Shipping next month for $795 MSRP

Most DACs are pretty straight forward and simply convert an digital signal to analog. But with the array of choices widening every few months, it might be handy to have a DAC that could do a bit more.

With this in mind, Simaudio is introducing the Moon 180 MiND Music Streamer (at top left in photo). MiND, which is short for Moon intelligent Network Device, allows the user to stream digitally stored music from a computer, NAS drive, the internet, subscriber-based music services or a UPnP enabled device to your DAC via either SPDIF, AES or Toslink outputs.

The MiND will available in April for $1,250 and Simaudio's Lionel Goodfield says that they will be releasing DACs with the MiND built in as an upgrade later this year.

Simaudio also revealed the 32-bit Moon 380D DAC designed around the M-AJiC32 circuitry (an asynchronous jitter elimination system) performing in true 32-bit fully asynchronous mode. There are eight digital inputs, all able to handle up to 24/192 sources. Available in April for $3,900.00 and you can add the MiND streamer for an additional $1,200.00.

Furutech had a new compact and beautifully constructed DAC/Pre on display called the Esprit. About the size of a small stack of CDs, the esprit handles 24/192 via SPDIF and Toslink and 24/96 via USB and also includes a couple of analog inputs. On the front is an input selector switch, headphone jack and volume control. All for $999.

I've had the new Peachtree DAC•iT at home for several months and a review will be showing up in Stereophile shortly. It's a great little product for the money ($449) and sports USB, SPDIF and Toslink input and features an ESS Sabre32 9022 chip.

The GoldenEar Triton Two, which I reviewed in the February 2012, issue, is my favorite speaker at anywhere near its price ($2499/pair until February 1, when it goes up to a still-very-reasonable $2999/pair). The Triton Two now has a "little brother": the Triton Three ($1999/pair), is a smaller version of the Triton Two. The resemblance goes beyond the physical; listening to a pair of Triton Threes, I was very much reminded of the Twos: the same sort of expansive soundstage and bass that was very nearly as impressive as I'm familiar with from the Twos.

MartinLogan is famous for speakers that use electrostatic drivers—full-range or in combination with dynamic woofers—but they have more recently broadened their offerings to include non-electrostatic models. According to MartinLogan's Peter Soderberg, their aim is to produce speakers that approach the sound of their electrostatic models, but at a lower price and easier to drive. He says that this has become possible with their version of the Heil tweeter (the original Oskar Heil patent having expired). He did a comparison for me between their top-of-the-line electrostatic CLX ($25,000/pair), supplemented by the Depth 1 subwoofer ($2000), and the new Motion 40 ($1995), which uses the Folded Motion (aka Heil) tweeter, in both cases driven by Anthem's new class-D amplifier, top-of-the-line Conrad-Johnson preamp, with a laptop as source. With Patricia Barber singing "Norwegian Wood," the tonal balance of these physically very different speakers was surprisingly similar. Peter Soderberg is pictured here with the CLX and the Motion 40, after what must have been an exceptionally amusing quip on my part.

The Adam is yet another loudspeaker manufacturer that uses drivers that are descendants of the Heil AMT tweeter. Adam's Classic Mk.3 uses what they call Accelerated Ribbon Technology (X-ART) for the midrange as well as the tweeter, and 2x7.5" HexaCone midwoofers. The Classic Mk.3 is available in passive ($7000)/pair or active ($10,000/pair) form, the latter for the studio professional market. A brief demo—with Cary Audio electronics—sounded convincingly full-range and dynamic. I understand that Kal Rubinson is getting a pair of these for review in Stereophile.