LATEST ADDITIONS

When it comes to Focal loudspeakers, I've been a lurker. For decades now, their demonstrations at audio shows have been memorable—a highlight was when, several years ago, I got Focal to play a powerful percussion track through a pair of their Grande Utopias at very high volume on a show's last day. Just to hear and feel how this mammoth system could deliver clarity and impact was awe-inspiring, and it was underscored by seeing folks from all the neighboring rooms quickly entering to enjoy it with me. It has also been a continuing pleasure to relax and listen to music with Stereophile's former Senior Editor, Jonathan Scull through his Focal Utopias, which he purchased in 1998. Alas, the years have turned, speakers have come and gone, and I had not yet had any Focal speakers in my own system. (Bob Deutsch seemed always to get the jump on me!)

As Stereophile's true cub reporter—sorry, Herb Reichert, you're senior staff!—I work in the domestic fields of the high-end audio landscape. Meanwhile, my fellow Stereophile correspondents trot the globe, attending international audio shows, experiencing all the sweet spots offered by such far-flung locales as Munich, Montreal, and Northamptonshire, UK. Am I complaining? Not! But when an audio show of merit invades New York City, still the capital of the civilized world, you can believe I'm there on opening day, pen and pad in hand. The first rooms on my must-visit list usually include Audio Note UK, DeVore Fidelity, MBL—and, when the gear is warm and the good vibes flowing, as they usually are, Wes Bender Studio NYC.

What better way to start an audio show than with live music? With that in mind, one hour before the official start of the 2017 Montreal Audio Fest, Canadian distributor Plurison hosted, in their capacious display room, a too-brief performance by cellist Vincent Bélanger and singer-pianist Anne Bisson. They performed a few selections from their new LP Conversions—a project that was sponsored by Lily Luo and cable manufacturer XLO.

There’s already one good bit of news out of the 2017 Montreal Audio Fest, which begins at 11am today and runs through 5pm on Sunday: reconstruction of the interior of the show’s longstanding venue, the Hotel Bonaventure—a project that was in full, noisy swing during last year’s show—has now been completed, restoring the Bonaventure’s glory in general and its superb bistro/watering hole in particular. It was there that I enjoyed a short pre-show encounter with the audio-industry luminaries pictured above (L–R): Jeff Joseph (Joseph Audio), Doug Schneider (Soundstage.com), Keith Pray (Stereophile), Meredith Gabor (Nordost), and Mat and Harry Weisfeld (VPI Industries).

In 2016, the vinyl information and e-commerce site Discogs.com broke its own most-expensive LP-sale record twice. In March 2016, David Bowie's David Bowie went for $6826. That post-Bowie, death-related purchase was then topped when the next rock star fell. A month later, in April, a copy of Prince's Black Album, the grail of his catalog, went for $15,000. In recent days, however, the record was broken again when a test pressing of cult guitar hero Billy Yeager's 301 Jackson Street, one of just eight ever made, went for $18,000.

Saturday March 25, 12–5pm, Value Electronics (35 Popham Road, Scarsdale, NY 10583) is presenting an advance preview of Technics' new "Grand Class" component series arriving this summer. Bill Voss, US Business Development Manager for Technics, will be demonstrating and discussing the new SU-G700 Digital Integrated Amplifier, the new SB-G90 floorstanding loudspeaker and the new, more affordable SL-1200GR turntable.

Bruckner: Symphony 9: Completed Version
Gerd Schaller, completion & conductor, Philharmonie Festiva
Profil PH16089 (2 CDs). 2016. Lutz Wildner, tonmeister; ambitus Musikproduktion, engs. DDD. TT: 84:37
Performance *****
Sonics *****

Between 2007 and 2016, Gerd Schaller recorded all 11 of Bruckner's symphonies with the orchestra he founded, the Philharmonie Festiva. In the November 2011 issue I reviewed his 2010 recording of Symphony 9 with William Carragan's completion of the Finale, left incomplete (if perhaps not uncompleted) at Bruckner's death. Six years later, in 2016, with the same orchestra and engineer, and in the same hall—a vast cathedral in Ebrach, Bavaria—Schaller recorded his own completion of the Finale.