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At a time when the heads of most record labels barely know how to play a record, let alone make one, Manfred Eicher—owner, founder, and inspiration of ECM Records, which celebrated its 40th anniversary in 2010—has been intimately involved in the making of nearly 1200 of them. How many, though, can he actually remember working on?

"When I listen back to them, I know the story of every record," he says without a smile or a moment's hesitation. "There is never an easy record. Every record needs a lot of input and concentration and dedication and passion to be made, that's clear. Create an atmosphere that is a productive search for music, and when this is the case, you have very memorable records."

Stereophile.com was feeling a little bit old.

We'd have to go back to September 2005 to recall the last major changes made to our website. It was then that we began adding our forums and blogs, which moved slowly at first, went through some growing pains, and finally became some of our most popular online destinations. About a year later, we made other minor revisions, altering the look and feel of our site to make it friendlier, more attractive, and easier to use.

These were all great moves, but the nature of the Web demands near-constant renewal. The time had come for some tube-rolling. Or, if you prefer, we needed to augment our physical media with a high-res, lightning-fast, computer-based system. Look at it however you like. The situation was clear: We were overdue for a facelift.

"So, what are you reviewing these days?" my friend Mark e-mailed me recently.

"A CD player," I said.

"They're still making those?"

Yes—and better than ever, for the most part. But I understood Mark's confusion. When a "Vote!" question on the Stereophile website asked readers what digital source components they used, a surprising number responded that they did not, or hadn't bought a dedicated player in years. Topping the list were computers and universal players.

With the news that Rega had replaced their esteemed P1 record player with the $445 RP-1, many wondered what would come of the company’s P2 player. Wedged between the new RP-1 and the P3-24, the $545 P2 seemed like an unnecessary step in an otherwise logical product line.

The system: An Integra disc player, Pro-Ject Debut III turntable, Cambridge Audio Azur 540A integrated amplifier, and Bellari VP129 phono preamp.

I didn’t even know there was an Ottawa in Ohio. But there is. Turns out to be a village in the northwest section of the state, about 155 miles west of Cleveland. The Mayor is Kenneth A. Maag, and in 2009, the village celebrated its 175th anniversary. Can you believe that? The Village of Ottawa has a population of 4,367, and among them are at least two music lovers.

I hope you’ve had an opportunity to listen to our October 2010 “Recording of the Month,” the evil and often hilarious Grinderman 2. On Sunday, I got to see the band play at the Best Buy Theater in Times Square. (The strangeness of seeing Grinderman perform at a place called “Best Buy Theater” is surpassed, albeit slightly, by the fact that the show took place on a Sunday, the Day of Our Lord.)

The Peachtree Audio MusicBox

In “Old-School Hi-Fi in Search of the New New Thing,” Hal Espen visits the Rocky Mountain Audio Fest and ponders the inherent dilemma of hi-fi.

How can a decidedly old-fashioned hobby move forward in an increasingly newfangled world?

Outside the listening rooms, the story of this year's Rocky Mountain Audio Fest traced the mood-swings and anxieties that buoy and beset the retro-futuristic world of high-end audio.