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This compact system, in which Monitor Audio's Gold GX 200 loudspeakers ($4500/pair) and brand new Silver 10 loudspeakers ($2500/pair) mated with the Cyrus Lyric 09 all-in-one class-D system ($6499, due in June or July), sounded very fine through Nordost Red Dawn cabling. Especially when I moved up a bit from the back wall, I noted how controlled and musical the system sounded at the start of the Budapest Festival Orchestra's Channel Classics recording of Mahler Symphony 2, and how good the bass was.

I have no idea exactly what was in use in the McIntosh room, because both times I paid a visit, the exhibitor was too involved in demonstrating the system's "Room Correction" component to stop to chat. Regardless, the sound was very, very good—just what you'd expect from a McIntosh system that can control challenging hotel acoustics—and the demo far more convincing than my mother's apple pie.

I don't want to wax biblical here, but in Stereophile's world of show reports, the last shall be first, and the first, last. Thus we begin our coverage of the final day with the last system I auditioned at AXPONA 2014. Welcome to Goerner Communications' room on the Westin O'Hare's third floor.

Since my focus was on new product introductions other than analog, which are being covered by Mikey Fremer on AnalogPlanet.com, all I'll say about the new Kronos Sparta turntable ($21,500) with Helena tonearm and AirTight PC-1 cartridge ($34,500 total) is that they sure sounded great in the context of the rest of GTT's system.

"Is this the same company whose A/D converter Jared Sacks of Channel Classics raves about?" I asked. When Bill Parish of GTT Audio & Video answered yes, I understood why. Grimm's LS1s three-way speaker system ($39,900/pair), which manages to fit hi-res ADC/DACs, a CC1 clock circuit, six amplifiers, DSP processor, integrated bass modules, cables and more into the two speaker cabinets pictured in the photo, is a virtually complete system that calls only for a source. In this case, the LS1s joined forces with a PC running JRiver Media Center and Kubala-Sosna power cords to produce gorgeous layering and tonality on Sacks' unedited DSD master of a Brahms Hungarian Dance.

There was some booming in the bass, but the really nice highs and openness, as well as the large and engaging soundstage on a 24/96 version of Jennifer Warnes' "Nightingale" convinced me that Daedalus Audio, ModWright Instruments, and WyWires cabling are doing something very right. Reinforcement came from a very nice and smooth, albeit less than brilliantly illumined Red Book track by Chris Jones.

With a name like Lampizator, as in Lukasz Fikus' "Audio from Poland with Love," who wouldn't be intrigued? The good news is, even paired with Vapor Audio's day-old Derecho loudspeakers ($7600/pair), which Ryan Scott builds behind his house in Hot Springs, MO, Lampizator's Level 7 DAC ($9650) and SQBX Based transport ($2650), Purity Audio's Silver Statement preamp ($35,000) with ultra power supply, and PSE300B 18W monoblocks ($26,000/pair with Sophia Electric 300B tubes), and Verastar cabling won me over with their beautiful sound.