LATEST ADDITIONS

Music to Listen to KLH By
Excerpts from recordings by Everest and Concert-Disc.
KLH VSR-101 (LP).

Don't be misled by the title of this. It's fine for listening to KLH by, and it is also fine for listening to any other top-notch reproducer by. It is, in fact, the best, and most musical, stereo demonstration disc that's come along to date.

Few people in the high end know the difference between glorious excess and wretched folly as well as Harvey Rosenberg. Harvey's audio equipment always strives towards the glorious folly of providing the most romantic sound possible with modern technology. This may explain why his relatively small company, New York Audio Laboratories, can build an amplifier like the Futterman OTL-1, which costs a glorious $12,000 a stereo pair and actively competes for the title of best amplifier in the world.

There is music so new, so original, so contemplative, and so deeply felt that it makes you want to listen, and then demands that you listen again. It's music whose layers peel back over time, as it draws you deeper into its mysteries. For premiere recordings of compositions that address time and place, and then often take you beyond them, Transcendent (DE 3555), the first offering on Delos from composer/orchestrator Chad Cannon's Asia/America New Music Institute (AANMI), earns its title.

The unsung sage who first observed that high-end audio is a solitary vice was probably not implying that audiophiles are antisocial; he was merely acknowledging the fact that a decent stereo stage is usually only audible from one place in the entire listening room—the so-called sweet spot. Stray from that spot, and the whole soundstage shifts to one side, spaciousness collapses, and images become vague and unstable. This is the antisocial aspect: only one member of a group can hear good stereo at any one time. (The gracious host at a listenfest will take a secondary seat, allowing his guests to take turns sitting in the sweet spot.)

We have been alerted by several major brands that individuals misrepresenting themselves as freelance contributors for our magazines and their associated websites have either attempted or have succeeded in having review equipment sent to them. With theft of said equipment being the final result in some cases.

Sibelius: Symphonies Nos.4 & 5, The Swan of Tuonela, Tapiola
Berlin Philharmonic, Herbert von Karajan
Deutsche-Grammophon 138 974 (LP, Symphony 4). Both symphonies reissued on CD (Deutsche Grammophon 457 748 2)

Magnificent, musically natural recordings with some of the deepest, fattest bass and richest, warmest orchestral sound that's been committed to recordings for many years. The discs are a shade more lucid than the tapes, but not much. Take your pick.—J. Gordon Holt

Arriving at David Smith's comfortable Queens apartment, he walks me into what was once a small dining room. Standing upright like a pair of wood-grained phone booths are the biggest speaker cabinets I've ever seen in anyone's home—anytime, anywhere. What?

Measuring a colossal 23" deep by 26" wide by 66" high, each 20 cubic-feet cabinet holds a vintage Altec 604E coaxial driver wired to a Mastering Lab crossover set in Smith's custom-built MLTL cabinets.