Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
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LATEST ADDITIONS

Interviews Think Pieces

Why John Atkinson Believes Measurements Matter

John Atkinson
Back in 2013, I took the train to Stamford to give a presentation to the Connecticut Audio Society to help celebrate their 30th anniversary. On March 6 I returned to the CAS, but this time via Zoom. I talked about a subject close to my heart: measurements and their connections with accuracy and/or musical enjoyment. The video is now posted to the CAS YouTube channel—it runs for 2+ hours but I think Stereophile readers will find what I had to say stimulating, perhaps even sometimes controversial.

My presentation takes up the first 21 minutes and is followed by a Q&A with the CAS members. (Great questions, guys!) At 1:18:00 I give a tour of my listening room, where two of my cats decide to make a cameo appearance.

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Music and Recording Features

The Reservoir Story

Thomas Conrad
Full Disclosure: All jazz writers fantasize about owning a jazz label. These fantasies persist even in our post-CD, download era, when the record industry as we knew it has been laid to waste. It is reasonable to speculate that, as a reader of this magazine and therefore a music junkie, you may have had an entrepreneurial record label fantasy or two of your own. For us, it should be interesting to hear from Mark Feldman, because he actually did it. In fact, he did it twice.
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Phono Preamp Reviews

Plinius M14 phono preamplifier

Michael Fremer
You think Watergate was a momentous break-in? You should hear what a good electronic Rolfing does to the sound of this meticulously built, full-sized, full-featured, and full-priced ($3495) phono section imported from New Zealand by Fanfare International. Out of the box, the Plinius M14 sounds like what it looks like: all silvery, hard, and steely. Just leaving it powered up doesn't do the trick, nor does playing music through it—unless you're prepared for endless hours of truly bad sound before the sonic clouds begin to break.
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Analog Corner Phono Cartridge Reviews Tonearm Reviews

Analog Corner #285: Top Wing Suzaku, HiFiction Thales, Analysis Plus

Michael Fremer
For a phono cartridge to generate current and voltage, something must move: a coil of wire (as in a moving-coil cartridge), or a magnet (as in a moving-magnet type), or a tiny piece of iron (a moving-iron type). In those rare cartridges that depart from the electricity-generating principle of the ones described above, it can be a displacement-measuring device in which a moving shutter modulates a light source to vary a supplied voltage (as in an optical cartridge), or one in which voltage is modulated when a tiny chip of silicon crystal is squeezed by a moving element, which varies the chip's electrical resistance (as in a strain-gauge cartridge). But regardless of what it is that moves in a cartridge, something has to.
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Floor Loudspeaker Reviews Historical J. Gordon Holt

Altec A-7 & Electro-Voice Patrician 800 loudspeakers

J. Gordon Holt
In the introduction to "Recommended Components" in the final issue in Volume One of what was then called The Stereophile, published in May 1966, founder J. Gordon Holt briefly described his Top-Rated Loudspeaker Systems.

Altec A-7
A highly efficient horn-loaded system for use in large to very large listening rooms (at least 15' from the listening area), or for very high-volume "Row-A" listening. Excellent woofer-tweeter blending, moderately deep (useful 45Hz limit in most rooms) and very taut, well-defined low end. Highs smooth and slightly soft, yielding most natural high-end quality at high listening levels. Middles smooth, rather forward, placing closely miked instruments somewhat in front of the system itself.

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Revinylization

Revinylization #15: More premium jazz vinyl from Craft Recordings and Blue Note

Jim Austin
I shall always recall fondly the hours I spent shopping for used vinyl at my "local," my favorite Portland, Maine, used record store. If you wanted great-sounding records of great music in very good condition, for just a few bucks, this was the place. My local did not carry much collectible vinyl, but that was okay: I was never really interested in the high-dollar stuff. It wasn't until I moved to New York City that I started to wonder where it had all gone. The proprietor, I knew, traveled the country buying up collections. It was the '00s; he would have encountered many valuable records—so where did they go? He was a total luddite—not the type to sell on eBay, I knew.
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Re-Tales

Re-Tales #6: Online sales get personal

Julie Mullins
It's 2021, and the audio business marches ever onward. Accelerated by the pandemic, economic transformation continues apace; online sales are burgeoning across all industries. This includes hi-fi, which is under pressure to facilitate more online sales, and—maybe, for some—move away from the traditional dealer-based sales model.
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