LATEST ADDITIONS

Okay. I'm not a poet, and I know it. So let's quickly move on to the towering presence of Duelund's Frederik Carøe. Every time I look above the crowd and see Frederik's countenance, I know that Duelund has a new capacitor on the market...

While Saturday was packed by American show standards, getting an early start enabled me to spend a lot of time in one of the best sounding rooms at High End 2015. Tucked into a low ceilinged inner sanctum in Hall 2 of the MOC stood the world premiere of Stenheim of Switzerland's imposing four-tower Reference Statement loudspeaker system (approx. $400,000, above).

A fan of music and those who make it, he was one of the last labels heads to actually listen to music and care about musicians.

An hour after High End 2015 opened in Munich on Friday May 15, the stairways to the second floor were packed. Multiply this mob scene by 7, and you have an idea of how many consumers and dealers were eager to fill the corridors, halls, and rooms at the show.

One of the major entertainment attractions at High End 2015 was US jazz vocalist (jazz-sängerin) Lyn Stanley. Performing twice daily in the room of her sponsors, Purist Audio Design, Stanley sang live into a microphone to recorded accompaniment, and then invited people to compare the amplified results to the playback of the same track on her LP (using Purist cabling, of course).

Ready, set go. It may not look crowded at 9am on the first morning of High End 2015 in Munich, but we who were dashing in an hour early for the Devialet press conference soon found Atrium 4.1 (shown) filled with people. Attendees included, in addition to consumers, dealers from multiple continents, some of whom are now skipping January's CES in Las Vegas because they find the trip to Munich more productive and far more enjoyable. Also present were manufacturers and reps who prefer to make the rounds rather than display. All in all, it's fair to say that, for many in the industry, High 2015 is as much a trade show as it is a consumer showcase.

The day before I began writing this, John Atkinson posted on Stereophile's website a chart from Nielsen Soundscan showing the ski-jump–like path CD sales have been on since 2004. In 2004, total sales were 651 million units; in 2014, 141 million units. All that is lacking from that impactful visual to make the ski-jump analogy perfect is the little uptick at the end to launch the skier into free air. Those numbers look to me like a total decline in sales of 78%. Ouch.