Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
Sponsored: Pulsar 121
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
Sponsored: Symphonia Colors
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

KLH Model Twelve loudspeaker

The idea of a loudspeaker system whose frequency response could be tailored to suit room acoustics and/or personal taste is one that has always appealed to the high-fidelity perfectionist. Ideally, such a loudspeaker would allow you to raise or lower the level of any part of the audio spectrum to correct for, say, a sharp 370Hz room resonance or a mild absorptive condition that weakens, say, the 800Hz–3kHz range. Obviously, though, this kind of flexibility would require an infinite number of bandpass networks, each with its own volume control—which is an obvious impracticality.
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Analog Corner #269: TechDAS Air Force III turntable and Graham Engineering Phantom III tonearm

It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.
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Kevin Gray: Vinyl-Mastering Master

When I need information about recordings, I go to Discogs. At Discogs, Kevin Gray has more than 2500 entries. That's as good an indicator as any of the amount of ground he has covered in his career so far as a creative participant in the recorded-music art known as mastering. Since starting out in the early 1970s, in Los Angeles, he has worked for all the major music labels and many independents, in all music genres.
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