LATEST ADDITIONS

My ears had been bothering me. First my right, then the left. A low-level high-pitched ringing, followed by a congested feeling and a popping like what you get when flying or taking an elevator way up to the 29th floor. Then, one morning in Las Vegas while attending the <a href="http://blog.stereophile.com/ces2008/">Consumer Electronics Show</a>, my left ear went <i>whooooooooosh</i>. And my hearing was momentarily dulled&#151not completely gone, just dulled. Outside sounds were farther away, my own voice sounded distant and muffled. It freaked me out.

Bentley Motors, the 89-year-old, Volkswagen-owned manufacturer of bespoke luxury automobiles has decided that a high-end audio system would complete its definition of automotive excellence, choosing Salisbury-based audio manufacturer Naim to develop a "Naim For Bentley" system.

How do I get myself into these things? Knowing that I use a Musical Fidelity X-DAC^V3 D/A processor in my office system and had just auditioned the Bel Canto e.One DAC3 that he'd reviewed in November, John Atkinson asked me to give Musical Fidelity's X-DAC^V8 a try. I say "asked," but the man does authorize my paychecks, so I acceded, knowing I was painting a giant bull's-eye on my back.

You forget to turn the power amp off while unplugging an input cable, or your neighbor walks over and taps your tonearm while a record is playing. Has bad luck ever struck your audio system?

Sony has triumphed once again. The company that has until now held control of the dominant audio format, "Red Book" CD, and the dominant high-resolution audio format, SACD, will now dominate high-resolution video as well with its Blu-ray technology.

The "Want to make an easy $1,000,000?" e-mail wasn't a scam from Nigeria but an alert from Paul DiComo, late of Polk Audio and now of Definitive Technology, about a double-blind cable-identification challenge made by The Annoying Randi, a magician and debunker of paranormal events who goes by the name of "The Amazing Randi."

After reviewing a long series of minimonitors, I am now working on what may well be an equally varied selection of large floorstanding loudspeakers. This trend began with <A HREF="http://www.stereophile.com/floorloudspeakers/1207sonus">my review</A> of the Sonus Faber Cremona Elipsa in the December 2007 issue, and continues this month with the Series 2 version of the KEF Reference 207, until recently the flagship model from this English manufacturer (footnote 1). I <A HREF="http://www.stereophile.com/floorloudspeakers/775">reviewed</A&gt; the original Reference 207 in February 2003, and was very impressed by what I heard.