LATEST ADDITIONS

It was a first-time venture for Elite Audio Systems, San Francisco’s newest and unique fine-audio emporium. On June 29, 2013, proprietor Michael Woods opened his doors to an event, co-organized with Peter Truce of the Bay Area Audiophile Society’s Analog Committee, that drew close to 60 folks to two mainly analog listening sessions.

Who is this mysterious Sam character? He won't submit a photo. He won't tell me anything but his name. Samuel Thomas. Hmmm. Sounds patriotic. But it's not quite the Sam of which I'm thinking. The real Uncle Sam was Samuel Wilson, a meatpacker from Troy, New York. Sam Thomas is in Pullman, Washington.

Jonathan Scull: You say your YBA CD-1 Blue Laser CD player makes use of Stochastic Resonance, Yves-Bernard?

Yves-Bernard André: Yes...in adding some noise to the signal, we can actually get more information back.

I had been anticipating getting to audition a pair of TAD loudspeakers in my system since the introduction of the original TAD Model-1, in 2003. It was designed by Andrew Jones, who had recently assumed the mantle of chief designer at Technical Audio Devices Laboratories (TAD), at that time a subsidiary of Pioneer. Although TAD dates back to the mid-1970s, its research and development efforts had been focused on the professional sound market, something that continues. Jones came from a long line of speaker innovators at KEF and was assigned the goal of developing state-of-the-art speakers for the domestic market.

I often receive letters from Stereophile readers. I've even gotten a few letters from female readers, one an attractive young lover of tube gear who sent me a picture of herself and [sigh] her boyfriend. But most are from people who are either thanking me for a specific review that resulted in a purchase and a satisfied buyer, or are suggesting products they'd like me to review. I frequently take the advice of writers of this second category; in fact, two of the inexpensive speakers I'll review in the next year were recommended by readers.

The closest I've come to airing my thoughts about live vs recorded music was in the "As We See It" of the December 2005 Stereophile, "Resistance Is Futile," in which I put as many miles between the two as I could. I described live performances as works of art that exist only at the time and place of their making, variables from which their ultimate impact can never be separated; and music recordings as works of art in their own right, albeit ones that require a great deal more from the listener in order to succeed to their fullest. People respond more positively to live music not because it sounds more real, but because they understand, consciously or not, that any performance is a once-in-a-lifetime event.

Register to win a set of Focal Spirit One Mobile Headphones (MSRP $279.00) we are giving away.

According to the company:

The result of 33-years of creating exacting sound in the finest homes, the most demanding sound studios and the most luxurious automobiles, multi-patent recipient Focal offers you their Spirit One portable stereo headphone - your sonic sanctuary in todays hectic noisy environment. Whether you commute across country in a plane, or just across town a few train station stops away, our Spirit One will comfortably immerse you inside the very heart of your musical experience.

[This Sweepstakes is now closed.]