Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Sponsored: Symphonia Colors

LATEST ADDITIONS

MSB Select DAC to be premiered at Michigan store, Saturday

Saturday, August 1, 11am–4pm, David Michael Audio (4341 Delemere Court, Royal Oak, MI 48073) will host an event showcasing and demonstrating MSB Technology's DACs and sources, including the new ground-breaking Select DAC (above). Confirmed guests include MSB Technology's Director of sales Vince Galbo and the company's CEO and Managing Director Larry Gullman. Larry has long experience in industrial engineering and digital electronics and has many innovations and patents to his name. Larry and Vince will be demonstrating the MSB Select DAC, explaining its innovative new technologies.
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Jerome Sabbagh, The Turn

Jerome Sabbagh, 41, born and bred in Paris, a low-key staple of the New York jazz scene for the last decade or so, plays tenor sax with a plaintive tone and moody lyricism reminiscent of Stan Getz. And he's a composer, too, wading more in the vibe of early Sonny Rollins or the sinuous modalism of Paul Motian. His new album, The Turn (Sunnyside), is a fine display of Sabbagh as player, composer, and bandleader.
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Ayre Acoustics MX-R Twenty monoblock power amplifier

Of the hundreds of product reviews I have written over the years, it is perhaps those of power amplifiers that present the hardest task in defining their worth. This is not because power amps are unimportant. As I wrote in my review of the MBL Corona C15 monoblock, in June 2014, "it is the power amplifier that is responsible for determining the character of the system's sound, because it is the amplifier that must directly interface with the loudspeakers. The relationship between amplifier and loudspeaker is complex, and the nature of that relationship literally sets the tone of the sound quality." But because the amplifier's role is so fundamental, it can at first be difficult to determine a given amp's balance of virtues and failings. A paradox.
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What's an Audiophile? (Part 634)

Most of us have experienced the proverbial curveball that comes out of nowhere to smack us right in the head. My most recent such encounter was pitched by Stereophile contributor Steve Guttenberg.

Steve's whammy arrived amid an e-mail exchange among Stereophile writers concerning a rather clueless column in another publication on the dearth of women audiophiles. After asking how many female audiophiles each of us knew, Steve G. defined what he meant by audiophile: "a person who frets over their system, agonizes over choices, loves gear, and sometimes music. You know, the kind of person who reads Stereophile or The Abso!ute Sound. Merely owning a nice stereo doesn't make you an audiophile. Owning a Leica doesn't make you a photographer. You have to be at least a little obsessed."

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Recording of August 2015: Sly and the Family Stone Live at the Fillmore East

Sly and the Family Stone: Live at the Fillmore East, October 4th & 5th, 1968
Epic 88843023712 (4 CDs). 2015. Sly Stone, orig. prod.; Bob Irwin, reissue prod.; Vic Anesini, mastering. AAD? TT: 3:27:31
Performance *****
Sonics ****

The first thing you hear is not Sly Stone's keyboards or harmonica. Not Freddie Stone's guitar. Not Greg Errico's amazing drumming. Not Larry Graham's slapping bass. Not the voices of Rose Stone (also keys) and Cynthia Robinson (also trumpet). Not Jerry Martini's saxophone.

No. The first thing you hear is pure energy: the nuclear reaction of musical power that Sly and his Family Stone generated onstage on two October nights in 1968 at the Fillmore East. James Brown and his band(s) had nothing on these seven. This is prime Sly, when the band was still hungry, before the hits, before his life spun out of control, the music suffered, and the family split.

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Dealer Events This Week in North Carolina & Tennessee

On Wednesday, July 22 (Raleigh) and Thursday, July 23 (Pineville), 5–9pm, Audio Advice (8621 Glenwood Avenue, Raleigh; 11409 Carolina Place Parkway, Pineville) will host its annual Digital Living event, while on Friday, July 24, 6–8pm, Vintage King Audio (2826 Dogwood Place, Nashville) will host an evening seminar with AudioQuest's Steve Silberman, focusing on the tools and resources needed to turn a computer into a true high-resolution music source.
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Cary Christie: from Infinity to Artison

95christie.250.jpgWhen Cary Christie, Arnie Nudell, and John Ulrick founded Infinity Systems more than 25 years ago, high-end audio as we know it today didn't exist. Hi-fi was audio, though the reverse wasn't necessarily true.

Through the growth years, Infinity became a major force in the High End. Cary Christie is the only one of the original players still associated with Infinity in 1995, now part of Harman International. His relationship, however, is now as an independent designer and consultant with Christie Designs, Inc. (footnote 1). I corralled him by phone on a clear fall day in Santa Fe, and a snowy one at his home near Lake Tahoe, Nevada. I asked him how Infinity had started.

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