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Excellent bass, a somewhat toned-down presentation and somewhat dry midrange, and excellent imaging—the speakers completely disappeared—were the hallmarks of Zellaton Reference Mk II Loudspeakers (2018) (€147,950/pair). As with all our show reports, how much of what I heard was due to electronics previously unknown to me, and whose sound I cannot begin to describe until I hear them in a familiar context, I cannot ascertain.

Given the background noise, it was a little difficult to focus on the music from Yello and Roger Waters of Pink Floyd in the system from Vienna Acoustics and Vincent, but this little system's ability throw a large, ear-catching ambient soundstage was its strong point. Speakers were the Vienna Acoustics Mozart (€1800/pair). Vincent electronics included (I think) the new DAC-7, which handles up to 32/384 and DSD256 and has a tube output stage, along with the SA-T7 preamp (€2499), SP-T700 mono hybrid amplifier (€1999/each), CD-S7 hybrid CD player (€2199), and PHO-701 phono stage (€649). Cables were from Vincent and Pangea.

Raidho Acoustics' new TD1.2 speaker ($24,000/pair), whose unveiling I missed at AXPONA, resurfaced in Munich. Hearing a track from the Ray Brown Trio's Soular Energy led me to write, in my notebook, "Pretty amazing how well these small speakers create such a big soundstage." Transparency around solo instruments and percussion was quite exceptional. Save for a touch of dryness, which could have been room-related, this system sounded excellent.

Having heard at previous shows the pairing of Aavik electronics, Børresen loudspeakers, and Ansuz cabling, I've been trying to find language adequate to describe the quality of its earth-rooted bass and midrange. There's a very special, aged-in-wood component to its bass sound that I find fascinating. Combined with clear highs that, while not shy, are capable of conveying intimacy, the system made Anette Askvik's "Liberty" compelling listening.

The "Ocean Mystery" colored Estelon Forza loudspeaker (€110,000/pair) made quite a statement all by itself. Paired with a Kronos Pro turntable (€37,600) with SCPS1 power supply (€13,500), Black Beauty tonearm (€8400), and ZYX Universe 3 cartridge (€8100); Bassocontinuo racks; Kubala-Sosna Realization cabling; Audes ST-3000 power conditioner (€3900); and Furutech NCF Booster-Signal (€2780), it conveyed electric guitar with natural bite, relayed all instruments except Eugene Istomin's somewhat tinkly piano on the Reference Recordings' LP of Mozart Piano Concerto No.21 with natural timbres and a strong midrange, and, on my Channel Classics SACD of the Mahler Symphony No.2, nailed the great expanse and natural timbres of the Budapest Symphony Orchestra, along with some brightness on top.

Wonderful, truly musical warmth and clarity were the hallmarks of a system built around the Absolare Passion integrated amplifier ($26,500), ReQuest The Raptor Plus music server (1TB version with DAC that handles PCM up to 32/384, and DSD up to 256: $15,900), Rockport Atria speakers ($21,500/pair), Echole Limited Edition Power Center power conditioner ($20,000), and new Echole Infinity cabling ($TBD).

Why travel all the way from New York City to Munich to hear (and see) a loudspeaker made in Brooklyn? Because it's easier to get from the Munich High End press room to the Devore Fidelity listening room here than it is to get from Manhattan's upper west side to the Brooklyn Naval Yard, where the Devore Orangutan Reference loudspeakers are made.