LATEST ADDITIONS

Two relative newcomers from Oregon made me ponder the question: Does West Coast-based audio differ from its East-Coast brethren? That's definitely the case with East- vs West-Coast jazz and hip-hop. I don't know the answer. What say you?

I scrambled into the room shared by Infigo Audio and Alta Audio where Alta Audio's Michael Levy was introducing his new Titanium Hestia II floorstanders ($37,500/pair). I always dig Hans Looman's Infigo amplifiers; Hans always plays cool and unusual music, and his amps are small beasts of potent power, snap-crackling dynamics, and surprisingly large, super-scaled soundstages.

I have to admit, at past shows, Bache Audio's Greg Belman has urged me to visit his and Alex Choren's shared Alexus Audio room, and I've begged off, "too busy" the usual lame excuse. But this time I didn't and damn! I was glad I made it into this small oasis of good music and excellent high-fidelity reproduction.

When I walked into the Potomac room, a large VAC/Von Schweikert system was playing vintage Steely Dan tunes (Gaucho era) via vinyl into the sprawling space—what's not to love? While one exhibitor poked me in the ribs for criticizing their choice of Michael Jackson's Thriller at last year's event, the Yacht Rock flowing out of the mighty Potomac room suited me perfectly. And it sounded fantastic.

Presenting dozens of new exhibitors, 40 more rooms, and 30 more accessories booths than in 2021, Capital Audiofest 2022 is up and running like a fire-starter. Owner/organizer/promoter Gary Gill is sporting a new, literally letting-his-hair-down cut, and over an aromatic cigar he excitedly regaled me with news.

Keith Jarrett: Bordeaux Concert, Barre Phillips, György Kurtág Jr.: Face à Face, Al Foster: Reflections and Dado Moroni: There Is No Greater Love.

Big Joanie: Back Home, Mike Cooper: Forbidden Delta Planet Blues, Dry Cleaning: Stumpwork and Bonny Light Horseman: Rolling Golden Holy.