LATEST ADDITIONS

Are well-heeled audiophiles ready for a knob-free future? Gryphon Audio Designs thinks so. In contrast to Gryphon's volume knob–dominated Pandora preamplifier, the Danish company's new Commander offers nothing on its bold front panel to grab or turn.

Instead, there's a large, extra-thick, triangular glass protuberance that extends dramatically below the chassis's vertical dimension. That's where you'll find an "on/off" button, the main unit's only physical switch.

Look into the faces of Jashan Bahl and Anmol. The boy, who is 5, came to the show with his dad because he loves music and instruments. He's wide-eyed, curious, and ready to learn. He is the future of high-end audio.

Given the legendary status of 300B tube-based amplification, this blog may surprise you. But in all my years at audio shows, I cannot recall more than one or two instances when I've been treated to a 300B-based product. If I'm wrong, then it's safe to say that those products did not leave a lasting impression. Since none of my audiophile buddies owns 300B-based electronics, that renders me, at this late stage of life, a 300B virgin.

Which made my half hour in the room sponsored by Oz Turan's High End By Oz even more enlightening...

After I joined Emiko Carlin, Senior Vice President for T.H.E. Show, for our wrap photo op, she said, "What? You missed the opportunity to see MC Audiotech's new speaker?"

What the ever-delightful, tell-it-like-it-is and then some Emiko says, Jason does (within reason)...

In last month's Re-Tales, I discussed what was happening on the vacuum-tube landscape, especially tube shortages resulting from Russia's war on Ukraine and its consequences for trade. Tube availability is, of course, a small concern compared to continuing Russian atrocities and the resulting suffering of Ukrainians. Still, it's a question tubed-electronics lovers and makers must grapple with, and we're a hi-fi magazine. So: If that Russian tube supply is curtailed or boycotted, what are the alternatives for manufacturers and individual buyers?

Ken Boyce's Cake Audio of San Clemente united many well-respected brands in a fine system that impressed many show goers. At the top of my "Wow, this is good" list were the lovely piano timbres on a 45rpm pressing of Eugene Istomin performing Mozart's Piano Concerto No.24, and good old Elvis' absolutely fabulous, prime voice, do-with-me-what-you-want rendition of "Fever." Not yet the overdone cynic of his later years, Presley perfectly gauged every single syllable and nuance in his surprisingly tasteful, no questions left to ask performance. Need I say that it would not have sounded half as mesmerizing if the gear had not been up to snuff?

In a large, exceedingly difficult-to-tame room, Acora Acoustics SRC-2 loudspeakers ($37,000/pair) did a superb job with voices. I sat mesmerized, trying to figure out who was singing "Largo al factotum," aka "Figaro, Figaro, Figaro, Figaro, etc . . .," from Rossini's The Barber of Seville.