Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Magnepan's giant-killer upgrade, the $995/pair LRS+

After a few hours of listening to speakers that cost well into the five and six figures, how much enthusiasm could I muster for a pair that retails for just $995? As it turns out, a lot. I'd heard the $750/pair Magnepan LRS a few years ago and marveled at how low the admission price to true high-end sonics can be. They sounded fast, surefooted, and transparent. Magnepan's new LRS+ speakers offer more of the same but at an elevated level and a slightly elevated price. Wendell Diller, a.k.a. Mr. Magnepan, calls them "higher-resolution" speakers.
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SVS Is Ready to Rumble at AXPONA

"The road to the graveyard is littered with corpses of subwoofer companies that wanted to sell a range of regular speakers," Gary Yacoubian observes with a laugh. We're standing outside the SVS room at AXPONA while on yonder side of the door, a 7.2 SVS Dolby Atmos setup is testing the Renaissance hotel's structural soundness with an explosive fight scene from a Spiderman movie. Fittingly, Yacoubian is ready to, you know, rumble. His company has built a solid reputation by making and direct-selling excellent-value, powerful subwoofers and providing some of the friendliest pre- and post-sale service in the industry.
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Burmester of North America

Some audio equipment makes its presence felt simply by its elegance. With its Versailles-like appeal, the colossal Burmester rig in the Schaumberg A room was magnificent to behold, virtually an audio treatise in luxury. A legacy German brand that manufactures everything from nuts and bolts to speaker cabinets and drivers, Burmester, represented at AXPONA by its US distributor Rutherford Audio, brought some of their classiest, biggest, and boldest equipment—all the listener need do was indulge the senses.
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Nordost Teams up with Stenheim, Wadax, VTL, and VPI

For huge sound in a huge room, you needed to look no further than the Schaumburg Renaissance Convention Center's Schaumburg F. Played at full volume, the momentous, quasi-apocalyptic opening of Richard Strauss's Also Sprach Zarathustra, aka the theme from 2001: A Space Odyssey, virtually knocked me back a row. Only the deep bass, which was eaten alive by the room's spongy air walls, suffered. Which means that the deepest organ pedals on the forthcoming superbly recorded 7-CD Strauss set from conductor Andris Nelsons (heard in 24/96) had about the same weight as on the hi-rez digital transfer of Fritz Reiner's famous RCA Living Stereo recording with the Chicago Symphony Orchestra.
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Luxman America & Magico

Peter Mackay of Magico Loudspeakers (pictured above) and Jeffrey Sigmund and John Pravel of Luxman America brought a fantastic-sounding system to the Prosperity room. Exceptional scale, resolution, depth, dynamics, precision, and juicy tone could all be heard—audio prosperity of the highest order.
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Krell's New Amplifier with the Estelon Forza

The night before AXPONA's official kickoff, Krell's director of product development, Dave Goodman, was still assembling the latest offering from Connecticut's solid-state powerhouse: the yet-to-be-released KSA i400. (With that model name, no prizes for guessing the number of watts per channel.) The Krell and its associated components were set up in a large, cube-like room—on paper, far from ideal acoustically. But what resulted on Friday morning sounded powerful and impressive. I don't mean to say that anything was excessively muscular. Effortless, poised, and relaxed though? You'd best believe it.
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