Art Dudley

Cary SLP-98P tube preamplifier

I had it all wrong. I assumed that the "SLP" in SLP-98P stood for <I>stereo line preamplifier</I>. But <A HREF="http://www.stereophile.com/interviews/399">Dennis Had</A>, Cary Audio's founder and chief designer, told me that it actually stands for <I>sweet little preamplifier</I>. In a day and age when <I>acme</I> is a word without meaning and the fighting Irish are neither, this strikes me as a risky marketing gambit&mdash;but one that may be effective if the name proves true.

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Satellite Radio Subs Jump

Now is clearly crunch time for satellite radio. In the last year alone, over one million new subscribers have been added to front-runner <A HREF="http://www.xmradio.com">XM Satellite Radio</A>'s service, bringing its total to approximately 1.4 million. The company projects that it will reach a total of 2.4 million subscribers by the end of 2004, thus ensuring its survival.

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Added to the Archives This Week

This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the <A HREF="http://www.stereophile.com/loudspeakerreviews/204bw">B&W 705 loudspeaker</A>, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."

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B&W 705 loudspeaker

When I was first getting interested in "high fidelity," as we called it back in the 1960s, there was an audio dealer in Worthing, England called Bowers & Wilkins. Their advertisement in the February 1966 issue of Hi-Fi News features their annual sale, with a Quad Electrostatic Speaker priced at £30 instead of the manufacturer's recommended £37, and offering other bargains, from ReVox, Quad, Rogers, Leak, and Armstrong. Conspicuous by their absence from the ad are Bowers & Wilkins speakers. The first reference to those I could find was in the August 1968 issue of what was then called The Gramophone, when race-car driver turned audio critic John Gilbert raved about the P2 Monitor. Designed by avid concertgoer John Bowers with Peter Hayward and featuring an EMI bass unit and a Celestion tweeter, the two-way P2 was priced at more than twice the Quad speaker, at £159/pair.
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