J. Gordon Holt

J. Gordon Holt  |  Jan 07, 2021  |  First Published: Mar 01, 1988
Coincident stereo miking (footnote 1) has two advantages and one disadvantage. Its advantages are that it gives the most stable, specific imaging of any mike technique, and its outputs can be summed for mono reproduction without loss of quality. Its disadvantage is that, in most of its configurations, it tends to produce an overly narrow, shallow soundstage.
J. Gordon Holt  |  Nov 13, 2020  |  First Published: May 01, 1966
One of the best pickups we've heard to date, the Grado A was introduced with some fanfare in the fall of 1964 (footnote 1) and then, for no apparent reason, was withdrawn just one year later. It is probably still available, though, either used or, discounted, as new stock at some dealers.
J. Gordon Holt  |  Nov 11, 2020  |  First Published: Sep 01, 1964
These are two of Electro-Voice's "middle-ground" speaker systems, filling the quality (and price) range between the huge Patrician 800 and the diminutive Coronet system.
J. Gordon Holt, Bill Sommerwerck  |  Jun 09, 2020  |  First Published: Dec 01, 1963
Almost a dead-ringer for the early-model Sharpe HA-10, Koss's PRO-4 ($45) is readily distinguishable by a large knurled protuberance sticking out of the lower part of the right-hand phone. This, in case you've wondered, is a mounting for a "boom-type" lip microphone, for use in speech labs and for communication purposes. (Sharpe and Permoflux also provide facilities for attaching a lip-mike.)
J. Gordon Holt  |  Feb 13, 2020  |  First Published: Feb 01, 1988
Tandberg of Norway has a rather ambiguous corporate image among audio perfectionists. Long considered to make some of the best tape-recording equipment around, the firm has never been seen as a leader in electronics, despite some bold—and reportedly good-sounding—forays into the realm of $2000 preamps and $3500 power amplifiers. Perhaps this is why, when Tandberg started making CD players, high-enders were uncertain how to respond.
J. Gordon Holt  |  Dec 12, 2019  |  First Published: Aug 01, 1998
Editor's Note: Published in 1998, this was the final review written by Stereophile's founder, the late J. Gordon Holt in the 37 years he was associated with the magazine. In it he expounds on his passion for experiencing recorded music in surround sound. Our continuing focus on two-channel products and recordings was one of the reasons Gordon eventually resigned, in August 1999.—John Atkinson
J. Gordon Holt  |  Dec 11, 2019  |  First Published: Aug 01, 1976
Our first sample of this preamplifier was returned to the manufacturer before we had completed our tests on it, and was replaced with the latest version (ours is serial number 500108). Enough time elapsed between the time we shipped back the first sample and the time we got around to auditioning the second that we are unable to report on any sonic differences between the two.
J. Gordon Holt  |  Dec 10, 2019  |  First Published: Aug 01, 1980
A couple of issues back, we mentioned in passing that the Fidelity Research FR-1 Mk.3F was the only moving-coil cartridge we had heard (as of then) that we would give house room to. (The others had frequency-response problems which so colored the sound that their other strong points were not worth the tradeoff.) That first observation about the FR-1 was based on a couple of hours' listening. Now that we have had an opportunity to live with one of them for a while, we can essentially confirm that first reaction, but with a few added qualifications.
J. Gordon Holt  |  Dec 05, 2019  |  First Published: Aug 01, 1976
We mentioned in the last issue that we were becoming increasingly disturbed by "a certain manic quality that is creeping into this pursuit of sonic perfection." We were referring then to a manufacturer's announcement of the imminent availability of a speaker system weighing over 1000 lb per channel, but we could just as well have been speaking of this behemoth from Audio Research.
J. Gordon Holt  |  Dec 03, 2019  |  First Published: Sep 01, 1973
Ye Editor had his first exposure to a true omnidirectional speaker system 15 years ago, while he was employed as chief equipment tester for High Fidelity magazine. The speaker was a most unusual-looking device for its time, being roughly a foot square and standing 3 feet high, with a "cube" of grille cloth at the top like a cupola. Inside the cupola was an 8" woofer facing upwards. Directly above it was the weirdest-looking tweeter you ever saw.

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