J. Gordon Holt

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J. Gordon Holt, Edward T. Dell, Jr.  |  Nov 29, 2016  |  First Published: Apr 01, 1967  |  3 comments
Editor's Note: in the main, Stereophile has steered clear of DIY audio projects, leaving them to magazines like The Audio Amateur, which was published by the late Edward T. Dell. But one of the exceptions was this 1967 article on the "Brute," a tube amplifier design by none other than Ed Dell. Note that the DIY competition mentioned by Gordon Holt is long closed to entries.—John Atkinson

There's a platitude to the effect that the road to Hell is strewn with good intentions. Well, we don't see ourselves as headed for perdition, but we must admit that we are surveying a rather impressive-looking junk pile of good intentions at this point.

J. Gordon Holt  |  Nov 09, 2016  |  First Published: Aug 01, 1964  |  2 comments
Like every sensible publication, The Stereophile keeps track of the questions raised by readers who write to us, so we can get some idea of what most of you would like to see in future issues of the magazine. To date, the list looks like this, in order of diminishing interest: transistor amps and preamps, loudspeakers, pickups, tape equipment, tuners and, way at the bottom of the list, recordings. We are devoting most of the August 1964 issue to a discussion of commercial recording practices.
J. Gordon Holt  |  Oct 19, 2016  |  First Published: Jul 01, 1968  |  5 comments
How do you rate as an audio expert? Test yourself on these 25 questions.

All of the following are multiple-choice questions, dealing with things that every audio hobbyist should know, either before or after completing the test. Most of them are easy, but take your time in answering and don't jump to conclusions. Some of the questions are quite tricky, and wrong answers will be subtracted from your final score, so read them and the possible answers carefully before committing yourself. Don't guess if you aren't fairly sure.

J. Gordon Holt  |  Oct 06, 2016  |  First Published: Jul 01, 1968  |  4 comments
The Swiss-made G-36 recorder had earned an enviable reputation among perfectionists during the few years that it has been available in the US, and our inability to test one (because of a backlog of other components for testing) became increasingly frustrating to us with each glowing report we heard from subscribers who owned them. Now that we have finally obtained one through the courtesy of ELPA (footnote 1), we can see what all the shouting was about, but we also have some reservations about it.
J. Gordon Holt  |  Oct 04, 2016  |  First Published: Dec 01, 1970  |  6 comments
Thanks to two developments and a promise, the compact cassette has finally become, as they say, a force to be reckoned with.

Development one, perhaps the most significant factor in the changing picture, is the ready availability of B-type Dolby devices (which are single-band Dolbys, acting only on hiss frequencies). Advent makes two that can be used with any tape machine, cassette or otherwise, while Fisher, Advent, and Harman-Kardon (as of this moment) are producing cassette recorders with built-in Dolby-B. No doubt there will be others by the time this gets in print.

J. Gordon Holt  |  Sep 13, 2016  |  First Published: Dec 01, 1968  |  3 comments
Editor's Note: 40 years before it became a reality, J. Gordon Holt predicts music streaming and predicts the Compact Cassette will become the dominant prerecorded music medium.

Traditionally, the New Year is the time when editors light their pipes, tilt their chairs back, fold their hands and shut their eyes, and make bold predictions about The Future. It is said that prognostications are always risky, because events have a nasty habit of making fools of those who prognosticate. It has been our observation, though, that the only prognosticators who are remembered are those who were proven right, so we are going to do some fearless limb-climbing about something that is coming to worry increasing numbers of stereophiles: Namely, which of all the current recording media is going to become The Standard for home use, and which are going to be left stranded on the shoals of obsolescence?

J. Gordon Holt  |  Sep 06, 2016  |  First Published: Sep 01, 1965  |  2 comments
Well, it's that time. The time of reckoning, the moment of truth. It's renewal time.

Most of you have noticed the hyphenated numbers on your address labels, and most of you guessed what they were: Expiration codes. If your label has a 1-12 number on it (or no hyphenated code at all), the next issue of The Stereophile, Issue Number 12 [published in September 1966—Ed.], will be the last one that will arrive on your present subscription.

J. Gordon Holt  |  Sep 06, 2016  |  First Published: Apr 01, 1973  |  1 comments
666kossesp9.1.jpgThe top-of-the-line model from America's leading headphone manufacturer, these are bulky, heavy, very business-like in appearance, and very, very good.

The ESP-9 is dual-powered: from the AC line, or from the input signal itself, The power supply is rather large and heavy, and appropriate in appearance to the phones. Amplifier connections are via wires with spade lugs attached, and speaker connections are made to the rear of the power supply. A front-panel switch selects speaker or headphone operation, and terminates the amplifier outputs with 10 ohms in the Phones position.

Construction is typically top-of-the-line Koss: Rugged, nicely finished, and apparently very durable, and the phones are easy to handle. (Many headphones are so loosely pivoted on their headbands that they swing into impossible positions whenever you pick them up.)

J. Gordon Holt  |  Sep 01, 2016  |  First Published: Aug 01, 1985  |  1 comments
There were no surprises, innovations, or breakthrough designs in loudspeakers at the 1985 Summer Consumer Electronics Show in Chicago. By and large, those on display were nothing more than refinements of, or variations on, previous speaker designs. Of course, there's nothing the matter with that; any improvement in a product is a step in the right direction. It merely perpetuates the pattern of the past ten years: evolution but no revolution.
J. Gordon Holt  |  Aug 09, 2016  |  First Published: Dec 12, 1963  |  4 comments
By the time you read this in late 1963 (probably a month after it is written, judging by the speed with which the US mails speed second-class matter on its appointed rounds), Capitol Records will have announced the first bit of really good news for the high-fidelity perfectionist in years: the release of imported disc pressings—taped, cut, and stamped in Europe. London has been importing for years—all the Londons you buy are pressed by Decca in England. But this will be the first opportunity we will have of sampling the products of some of London's overseas competitors.

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