There are only a few short days left, but once again, audiophiles can help themselves and others at the same time by participating in The Cable Company's sixth annual "Summer Against Hunger" campaign. The Cable Company (and www.usedcable.com), along with several manufacturers and audiophile publications, have set up a program by which they offer to donate up to 10% of August sales to CARE and the International Rescue Committee, these contributions to be used to assist the worldwide disaster relief efforts of those humanitarian organizations.
Maybe it's because those Yanks are so contentious, but it appears that most of the initial CD copy-protection activity is taking place in Europe (see previous). Last week, Phoenix, AZ–based SunnComm announced that it has reached an agreement in principle with Sonopress of Germany for implementation of its MediaCloQ technology in manufacturing facilities located all over Europe.
Last week, InterTrust Technologies, which creates Digital Rights Management (DRM) technology, and format developer DataPlay announced a partnership intended to create a portable media distribution platform for protected content such as music. Universal Music Group, EMI Recorded Music, and BMG Entertainment have all announced that they are planning to release prerecorded music on the resultant DataPlay digital format for use in a variety of consumer electronic devices.
While Napster was thriving a few short months ago, the music business was noisily seething and quietly plotting. How could they put the digital audio genie back into the content-control bottle? Although Napster has since been gutted, the labels have identified the unprotected CD as the source of their woes, and now it's payback time.
Like the proverbial camel who took over the tent after getting just his nose in, it appears that once copy protection is given an inch, it will inevitably try to get in all the way. At least that's how it appears with an increasing variety of CD copy protection systems now currently being tested en masse by the major record labels. Latest to announce a new "evaluation agreement" is BMG Entertainment, which will use and evaluate SunnComm's MediaCloQ "digital content cloaking technology", first put to the test earlier in the year on a Charley Pride CD (see previous).
Although the deal was announced by both companies only weeks ago, it appears that Audio Advisor will in fact not be distributing Musical Fidelity products in the US after September 1. In AA's place, Musical Fidelity has chosen Kevro International as the exclusive US distributor for its complete line of electronic products. According to Kevro International spokesperson Kathy Ginn, "Musical Fidelity [has] chosen to market [its] products through independent specialists rather than [continue] their previous approach [of distributing the line] through mail order and the Internet. And, unfortunately, AA will no longer be a dealer."
News last week about SafeAudio CD copy protection indicates that while fighting pirates, the major record labels are also attempting to seal off the ability of users to place their own music from CDs onto computers. If they succeed, the only alternative for consumers who want non-pirated music on their desktops will be to buy content directly from the labels themselves, or companies set up to legally supply digital audio.
If you haven't seen much in the mainstream press about the new satellite radio services from XM and Sirius, both poised to launch before the end of the year, you soon will. First out of the chute with the big media bucks, XM Satellite Radio unveiled last week its national advertising campaign called "Radio to the Power of X."
There appears to be nothing more important to the music business today than controlling the distribution and use of digital content on the web and in the home. Proprietary schemes to prevent or control the use of audio files have become hot commodities and valuable assets for many companies. Liquid Audio recently announced that the US Patent Office has awarded the company a patent (#6,219,634) for its watermark technique used for distributing secure digital music files.