Jon Iverson

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Jon Iverson  |  Nov 26, 2000  |  0 comments
Last week, Verance announced that the US Patent and Trademark Office has issued them a new patent intended to prevent the disabling of a watermark on recorded content. The patent is entitled "Method and Apparatus for Preventing Removal of Embedded Information in Cover Signals." The company has recently drawn the ire of audiophiles, who claim that its watermarking methods are audible in high resolution media such as DVD-Audio recordings (see previous report).
Jon Iverson  |  Nov 26, 2000  |  0 comments
Retailers Ultimate Electronics, Sound Advice, Harvey Electronics and Good Guys have all reported strong sales for their most recent quarters, leading into the holiday shopping season. The only sour note was posted by Circuit City, which has stated that earnings are below expectations across all product categories.
Jon Iverson  |  Nov 19, 2000  |  0 comments
Audiophiles are just warming up to the debate on how (or why) they should set up multi-channel audio in the home (see previous story). But perhaps the listening room will ultimately take a back seat to a more obvious choice for a multi-channel environment: the automobile. Several multi-channel products are being announced for the autosound market, including a new Fujitsu DVD player with 5.1 audio.
Jon Iverson  |  Nov 19, 2000  |  0 comments
Last week's Comdex convention in Las Vegas showcased more examples of convergence between the consumer electronics and computer industries, especially in the areas of portable devices, home theater, and digital audio. DVD-Audio also received notice at the show, as chip developer Zoran Corporation announced the Vaddis V, its latest DVD multimedia processor, slated for mass production in spring 2001.
Jon Iverson  |  Nov 12, 2000  |  0 comments
When CDs were becoming popular, Neil Young made no secret of his disdain for the sound of digital. Interviews from the period quoted him as saying that the sound "left him cold," and he would rather listen to an LP, thank you very much. To this day, his new CD releases also appear on vinyl, but with the advent of DVD-Audio, sampling and quantization rates have improved—enough, apparently for Mr. Young's approval.
Jon Iverson  |  Nov 12, 2000  |  0 comments
The Comdex trade show, taking place this week in Las Vegas, is flushing out scores of convergence consumer electronics products, in addition to the more traditional computer fare. Apogee Technology, formerly Apogee Acoustics, a name familiar to many Stereophile readers, is among the dozens of companies announcing technology for the modern consumer electronics marketplace.
Jon Iverson  |  Nov 05, 2000  |  0 comments
Could this be a record executive's dream come true and the end of the need for watermarking as we know it? CantaMetrix has announced the further development of a new technology, MusicDNA, that the company claims is capable of identifying and tracking the billions of existing as well as new MP3 files on the Internet and providing an exact accounting for the copyright, "thus enabling legal file sharing and linking value-added data to songs."
Jon Iverson  |  Oct 29, 2000  |  0 comments
It's a brave new audio world: Coinciding with last week's release of Medeski, Martin & Wood's latest work, The Dropper, to retailers' shelves as a polycarbonate-and-aluminum CD, Liquid Audio announced that the title was simultaneously being made available as a full-album digital download. Liquid reports that this is the first time a Blue Note title has been released in a digital format at the same time as its physical release.
Jon Iverson  |  Oct 22, 2000  |  0 comments
It may still be a trickle, but at least a little music relief has reached the parched throats of audiophiles awaiting the arrival of DVD-Audio discs. Last week saw the announcement that Aaron Neville's latest CD release will also hit stores as a multichannel DVD-A on Immergent Records on October 24. This week sees the announcement that another recording legend, Willie Nelson, will soon take the plunge.
Jon Iverson  |  Oct 22, 2000  |  0 comments
The Recording Industry Association of America has recently been getting press ink by the bucketful for its defense of the music business against the perils of the Internet. But the Future of Music Coalition is urging the US Copyright Office to be wary of efforts by the RIAA to establish itself as the sole and exclusive collection agent for digital performance royalties for sound recordings. Instead, the Coalition has proposed that an independent body would be a more appropriate vehicle to collect and distribute these and other monies, including Audio Home Recording Act of 1992 royalties.

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