The official launch of <A HREF="www.xmradio.com">XM Satellite Radio</A> was set for September 12. But within hours of the September 11 attack on New York and the Pentagon, XM announced that it would be postponing its debut, which was slated to take place in Washington DC at its headquarters and broadcast studio complex.
Bringing old albums out of the vaults and onto the market as CDs is a pretty standard process these days. First you get the licensing straightened out, find the original cover art, and locate the first-generation master tapes. In a pinch, the safety copies of the masters can be used, but if these also can't be located, what next?
As a result of the terrorist attacks last week, the Audio Engineering Society (AES) has decided to postpone its AES 111th Convention until November 30. The annual audio event, which was to have been held this week in Manhattan at the Jacob Javits Convention Center, will now be held Friday, November 30–Monday, December 3, 2001. The AES says that the convention will use the same exhibit, demo, and conference space as would have been used next week.
In the wake of last week's disasters in New York, Washington, DC, and Pittsburgh, <A HREF="http://www.audioasylum.com">Audio Asylum</A> and <A HREF="http://www.audiogon.com">Audiogon</A> have banded together to co-sponsor a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities.
For the last several months, the major record labels have been ramping up what some have viewed as a stealth assault on their customers by increasingly deploying technology that restricts the use of audio CDs (see <A HREF="http://www.stereophile.com/news/11113/">previous</A>). While an increasing number of music fans have been crying foul, one consumer has decided to fight back in court.
Forget the SACD/DVD-Audio format wars, a more interesting (and potentially more devastating to consumers) battle is brewing among companies racing to add copy protection technology and other restrictions to compact discs.
Classical music fans will be happy to learn that Vivendi Universal has decided to give two of its classical labels a state-of-the-art web facelift. <A HREF="http://www.deccaclassics.com">Decca</A> and <A HREF="http://www.philipsclassics.com">Philips Classics</A> are combining their resources and launching a single new site this month designed by trendy web developer Razorfish.
For many audiophiles, the reasonably priced "universal" DVD-Audio/SACD/CD player is the magic combination that will trigger a jump into the new high-resolution audio formats. As an answer to those universal player prayers, <A HREF="http://www.wolfsonmicro.com">Wolfson Microelectronics</A>, UK–based developer of audio ICs for multimedia and communications applications, announced the introduction of two new six-channel audio DAC chips last week—one of which brings the contentious formats together in one box.
Don't smirk, but a lot of audiophiles, including this writer and our esteemed editor John Atkinson, spend a considerable amount of time listening to music on their computers, especially at work. In fact, the results from our <A HREF="http://www.stereophile.com/showvote.cgi?208">recent online poll</A> about computers and listening habits indicate that at least 60% of our readers listen this way as well, with half of those using their PCs for music playback "quite often."
Music lover Dennis Cassidy had an itch years ago to start an audiophile label dedicated to releasing the particular kinds of music he liked with the best vinyl and packaging available. Cassidy was involved with music distributor Sound Advice at the time, which sold the standard audiophile favorites from Mobile Fidelity Sound Labs, and others.