Ariel Bitran

Ariel Bitran  |  Sep 28, 2012  |  0 comments
In late September 2012 from their headquarters in Bergen County’s own Mahwah, New Jersey, Denon Electronics announced the launch of their interactive visYOUalize Yourself website and mobile app as an accompaniment to their four headphone lines released in the summer of 2012. These four headphone divisions target offer clearly positioned models unified through product image and technological goals targeting four different sects of customers. Denon wants to know: which one are you?
Ariel Bitran  |  Sep 26, 2012  |  1 comments
Somewhere in Budapest, something very scary is happening. Somewhere in Budapest, something very beautiful is blooming. Stereophile forum user vencel has reposted images of his rebuild of a Koetsu Rosewood cartridge starting at its grim and crud-crusted beginnings leading to its careful reconstruction and finishing with a gorgeously refurbished cartridge glowing in the light. The gruesome details of death and deconstruction are told through haunting images, and then hope is reborn through the hard work of vencel and his team’s delicate re-coiling and cleanup. The story can be seen here in our forums. I’m sure vencel would be happy to answer any questions. Congrats to you and your team!
Ariel Bitran  |  Sep 19, 2012  |  3 comments
Larry listens to the Usher S-520s with the tweeters on the inside first.

After an exhausting but educational day at NYC’s In Living Stereo setting up my new Rega RB101 tonearm with the Audio Technica AT95E phono cartridge, I hailed a taxi while balancing the turntable on one hand. Thirty minutes later, the yellow cab stopped at the doorstep of my quaint Brooklyn duplex, which I share with three other roommates, a Chartreux cat named Larry, and three friendly Pakistani families.

Upon my return home with the P1, the roommates were ecstatic. Jared analyzed, “I dig its minimalist design.” Leeor cheered, “I can’t wait to play the new Animal Collective record on this!” Darryl insisted, “Yo, you need to bring some bitties back now.” Larry the Cat ignored our excitement and cuddled with my phono preamp’s glowing tube. After listening to some records together, I kicked the roommates out for some alone time with my system. No bitties yet, but I did have a mug of green tea, some LPs, and Larry.

Ariel Bitran  |  Sep 12, 2012  |  4 comments
I’ll be honest, when Klipsch invited me to see the B-52s on Thursday, August 9th, all I really wanted was for Peter Griffin to stroll across the Irving Plaza stage oblivious to the swirling lights and drifting artificial fog, whip out an acoustic guitar, and play that jangly lead from “Rock Lobster”. A bearded lobster donning a turban would then prance to the front of the stage and everyone would scream “Death to America / And butter sauce!” This never happened. However, I did successfully ignore the opening band Love Funk, had my mind blown by the B-52s, but most importantly, I discovered a bunch of new products from the Klipsch family.

“Iraq Lobstah!”

Ariel Bitran  |  Aug 24, 2012  |  4 comments
Logitech | UE have some big surprises in store for Fall 2012, and if you are in the New York City area, you could be one of the first audiophiles to hear them. Comment on this post for your chance to win a pair of tickets to the Logitech | UE promoted Milo Greene concert at the Bowery Ballroom (6 Delancey St, New York, NY) on Wednesday, August 29th. Milo Greene play airy indie-pop with ambient choruses of background vocals, spacious piano, and relaxed snare drums accents. Not only will you be able to tread into Milo Greene’s easy-flowing songs, you’ll also get a sneak peak at just what Logitech | UE have in store for the new season. Concert ticket winners will be emailed further details. Remember to comment on this post if you would like to win!
Ariel Bitran  |  Aug 13, 2012  |  7 comments
“Hi, Ariel? This is Steve Cohen at In Living Stereo. I just opened up your turntable box. There are some sweatpants in here. Oh, and the tonearm cable is missing.”

“MISSING?”

“Yes.”

Ariel Bitran  |  Aug 10, 2012  |  5 comments
Kyle studied Film and TV at NYU’s Tisch School of the Arts. He had a freakish obsession with penguins and spent hours at a time glued to his Macbook watching downloads of Aaron Sorkin’s The West Wing. I studied marketing at NYU’s Stern School of Business, counted down the days till the release of Guitar Hero I for Playstation Two, and once paid $20 for a broken drummer monkey known as Trick Star because I wanted to feel free and alive. In the summer of 2006, Kyle and I decided to start listening to vinyl. Why? Because vinyl was cool, and we were not.
Ariel Bitran  |  Aug 03, 2012  |  20 comments
Bvvvzzzssst.

(Ugh.)

Bvvvzzzssst.

(Where am I? Oh. Bed.)

BVVVZZZSST!

“Alright, alright! I’ll get up!” I yelled at my phone. Slowly, I pulled myself out of bed on an early Saturday morning after a long night out. How did I get home? Something was needed in order to wake me up. Zeppelin’s Presence was on the Rega P1. Perfect.

Ariel Bitran  |  Jul 19, 2012  |  5 comments
Lenny Abramov thought he found immortality in Eunice Park, the woman who gave him the will to live. He thought he found it in his job, where he sweat endlessly soaking through his acrylic shirts while mindlessly serving Joshie, a back-stabbing “friend”. Eunice would leave him too. In fact, the only true happiness Abramov ever found and returned to were the sounds of his mother and father’s native Russian tongue, their coddling words and thick, laborious accents. In their speech, he could reconnect to the compassion they shared, the basketball they played, and his basement bedroom. Abramov’s parents were the only thing he had, until they died. He was left with bells “tolling, deep and sonorous and thoroughly Russian.” Lenny never chose his parents. He never chose their boundless affection. It was the sound of bells at their deathbeds that reminded him he was loved.
Ariel Bitran  |  Jul 17, 2012  |  2 comments
It had been many years since Stephen or I had been to Irving Plaza, but an invitation from Klipsch would grant us another encounter. Performances that evening included neo-punk new wave group the Tom Tom Club featuring Tina Weymouth (bass) and Chris Frantz (drums), both of the Talking Heads, opening for headliner the Psychedelic Furs, a band iconic for their soundtrack chart-topper “Pretty in Pink”.

In a partnership with Live Nation, Irving Plaza, a Live Nation-owned venue, redubbed itself “Irving Plaza Powered by Klipsch” as we discovered on the billboard under the marquee.

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