Ariel Bitran

Saturday, November 10, 11am–3pm: Audio High (165 Moffett Boulevard, Mountain View, CA) hosts another vinyl sale to benefit the Friends of Palo Alto Library. Last year’s sale generated more than $1700 to benefit the Palo Alto Library, a cultural pillar to Santa Clara County community.

Some LPs that will be hallmarked for this sale include a Zappa collection, an assortment of French pop and avant-garde LPs, and as the “usual selection of hard-to-find rock and jazz titles.” Musical Surroundings and Clearaudio representatives will be at the benefit to answer turntable related questions and showcase their products.

After filling my speaker stands with kitty litter, the bass warble tones on Stereophile’s Editor’s Choice CD were less boomy from start to finish with greater depth within each warble tone and lower frequencies not heard previously were now audible thanks to a quieter noise floor, but after weeks of warble tones, I needed some real music.

First on the platter was Bob Dylan’s John Wesley Harding which features 3-piece band orchestrations, punchy yet meandering bass lines, and anguished harmonica playing from Mr. Zimmerman. While listening, the bass player’s melodic fills on “All Along the Watchtower” muddied the mix and masked Dylan’s vocals. One week later, my problems of unruly bass had returned.

Saturday, November 3, 12pm: Advanced Audio Systems (6450 Tacoma Mall Boulevard, Tacoma, WA) will host a seminar with iconic loudspeaker designer Richard Vandersteen. The event will consist of product demonstrations and a question and answer session with Vandersteen. To register for the event, follow this link.

So where were we? Ah yes, I had just nailed loudspeaker positioning in my tiny bedroom by switching the left and right speakers placing the tweeters on the outside of my array. This change widened the soundstage and stabilized the central image but sacrificed some pinpoint high-end articulation I had with the tweeters inside the widths of the speakers. Yet, excessive bass resonances remained as evidenced through Paul McCartney’s bass runs on “Something” from my Abbey Road LP. Though a touch vaudeville, Paul is still a reserved and classy English gent, and there’s no way his bass guitar would demand such a boisterous presence. I had to get him under control.