Rogier van Bakel

As audiophiles, we strive almost obsessively for a low noise floor and no distractions, only to be spectacularly thwarted when we evaluate equipment in a retail or show environment. Around us, people are entering and exiting, and often talking up a storm. The air conditioner is set to a low drone. Bass notes leak in from the next room over. AXPONA's cavernous Ear Gear space, where more than two dozen manufacturers of headphones and related equipment were demonstrating their wares, was awash with buzzing, excited people—the best kind of noise, really, even if you have to turn the demo cans way up to block it.

I had come to pay RAAL-requisite a visit, hoping to audition a first for me: a recently-launched ribbon headphone called the CA-1a.

Two months ago, at the Tampa audio show, I got better acquainted with Acora Acoustics and its flagship loudspeaker, the VRC. They made some of the most impressive music at the expo—as they should for a price north of 200 grand.

For 15% of that small fortune, could an Acora speaker further down the line, like the SRC-1 ($35,000/pair), keep pace? I found out in Mimic Audio's dealer room on the hotel's 12th floor, where a high-level UN meeting of sorts was going on, with brands from four countries.

Last year's AXPONA brought the debut of SVS' Prime Wireless Pro active speakers ($899/pair). In the fall, I spent a couple of months listening to them, and came away impressed. "No sub-$1000 all-in-one system can attain anything close to perfection, but night after night the Prime Pros surprised me," I wrote in my review, praising their sonic balance and satisfying low-frequency extension.

The Ohio company recently launched a product that approaches streamable music from the other direction: What if you already have a good pair of speakers . . . and are in the market for a versatile, nicely-outfitted streamer/amplifier to drive them?

Here's a list of the complete Dutch & Dutch product lineup:

1. Dutch & Dutch model 8c speakers.

And here's a list of all the audio electronics in the Dutchies' 11th-floor room at AXPONA:

1. Dutch & Dutch model 8c speakers.

That's it.

You won't see many Apple products in these pages, and for good reason. As Stereophile Editor Jim Austin wrote to me recently in an email, "Apple may have the best acoustic-design facilities in the world, but its products are designed by engineers who don't seem to respect perfectionist sound—which is appropriate for a company that aims for the vast middle of the bell curve." Has that changed?

It was bound to happen sometime. The day after my return from the Florida Audio Expo, I tested positive for COVID. I'd worn a facemask on the plane, but not during the three days of pressing the flesh, listening, and reporting. (In fact, no one at the show did.) I suppose I paid for my lack of super-caution with several days of chills, headaches, violent coughing, and brain fog. This also accounts for the delay in getting the final batch of show reports out to you. Apologies!

A real drum kit at the Florida expo? Standing in the second-floor hallway, I could've sworn I heard just that. Five seconds later, reality set in when Dave Brubeck's famous piano chords joined Joe Morello's 5/4 jazz groove. It was the recorded sound of Morello's drums on "Take Five" that had emanated from the Embassy Suites' Kennedy Room, where High End by Oz, a Connecticut distributor, was demoing its wares. (I sincerely love it when my brain gets tricked like that.

"There's a party going on in Room 713, and only true freaks are invited!" That's the promise of a bawdy little book called Room 713, about four friends who travel to another city and indulge in outsized carnal pleasures.

No such titillation was to be had in room 713 of the Embassy Suites in Tampa, but other delights abounded. To wit: a pair of Triangle Magellan Quatuor 40th-anniversary speakers ($20,000/pair), plus three Electrocompaniet components: the new AW 800M NEMO 2 monoblock used as a stereo amplifier (800W in mono, 300Wpc in stereo, $22,500), the EC 4.8 MkII preamp ($4900), and an ECM 1 MkII streamer ($5700). Wireworld took care of the cabling.

Last year, on the hunt for high-quality espresso beans, I visited some specialty coffee websites. On one forum, I came across this description of a particular roast: "I tasted mild acidity and bitters with hazelnut, bourbon, and a hint of dark cherry. As it began to cool, there was a hint of black raspberry syrup or cordial. Then a dominant note emerged of nuts with mild distillates, walnut bitters, cacao nib and something between 82% dark chocolate and baker's chocolate. ... Further cooling offered the surprise of dark piecrust and a bitter cherry liqueur. The piecrust then rounded to a slightly sweet dark rye. There was a lingering aftertaste of single malt scotch that eventually faded to baker's chocolate with a hint of ashiness."

I had enough self-awareness to realize that in the hi-fi world we sometimes prattle on about hi-fi in ways that, to outsiders at least, must seem just as fustian and florid.

In Tampa, Latvian brand Aretai made another very good impression with its 100S speaker, a 2.5-way standmount in a sealed box ($9000/pair). Visually this speaker was among the more arresting offerings at the Florida expo: a neodymium-magnet tweeter in a handsome white horn sits atop a 16"-tall, matte-black enclosure. (The 100S is also available in piano gloss and various wood veneers.) Each speaker has two 6" drivers that deliver bass down to about 32Hz.