Rogier van Bakel

Cambridge Audio and Triangle

One question the Stereophile team asks in every AXPONA room we cover is, “Is any of the gear new?” The Cambridge Audio team wins a trophy this year—or would if there was a trophy. When I dropped in for a listen on the first day of the show, account manager Joseph Buechel told me that the Class AB CXA81 MkII integrated amplifier ($1199) was making its debut "today, right now."
Continue Reading »

(Un)healthy Obsessions

During a ferocious storm one recent Saturday, firefighters knocked on my door and urged my family and me to evacuate. The gale had smashed loose a neighbor's large propane tank and plunged it into the choppy waters of the fjord we live on. An explosion was possible, we were told. Five minutes later, our teenage daughters, our dogs, and my wife and I were in the car on our way to safety. (No blast occurred.)

Coincidentally, the last thing I'd read that turbulent morning was the Washington Post's front-page story about the late Ken Fritz (above), a diehard audiophile who'd spent 40 years creating "the best stereo system in the world," and, as I wrote in the April 2024 issue's My Back Pages, alienating members of his family in the process. Both the evacuation and the Fritz tale put me in a pensive mood. If you'll pardon the triteness, each reminded me that life is precious and fragile, as are our relationships with loved ones. We can't afford to take either for granted.

Continue Reading »

DALI and NAD

The amiable and loquacious Jason Zidle is a product manager at Lenbrook, the Canadian company behind NAD and Bluesound. Lenbrook also imports Denmark’s storied DALI speakers. At the Renaissance hotel in Schaumburg, the star performers in the Lenbrook space are a handsome pair of just-launched DALI Epikore 11 floorstanders ($60,000/pair).

Continue Reading »

Focal and Naim Bring the Power

On Thursday night, Chris Shaw, one of Focal’s setup men, was having a tough time. He’d almost finished dialing in the 584-lb Focal Grande Utopias EM Evo speakers, but their bass (14Hz at -6dB) caused a ceiling light fixture in the large Focal/Naim room to rattle. Shaw pushed a printed show banner out of the way to make space for a ladder. A few minutes later, thanks to some sticky tape, the distracting noise was gone.
Continue Reading »

Tekton Moab Be loudspeaker

All photos by Rogier van Bakel. Compositing by David Evett.

For Christmas in 2020, a friend sent me a gift: a coffee mug decorated with a one-out-of-five-stars rating for the annus horribilis the world had just been through. The caption on the ceramic read, "VERY BAD WOULD NOT RECOMMEND."

True, the pandemic year and the lockdowns had been no fun, to put it mildly, but that doesn't mean there were no positives. Every day, rain or shine, my 10-year-old daughter and I played soccer on the field behind our house. We—pointlessly, I concede—trained our shepherd to walk backward on command. I savored having more time to read, watch movies, and take naps when the urge struck. Finally, I used the long stretch of weeks, then months, to rekindle my lifelong infatuation with music. Thousands of old and new recordings kept me balanced and tethered me to the rest of humanity during the dark days of social distancing. Rarely had music soothed and comforted me more than during the 10 months before the vaccines arrived.

My musical appreciation—reverence at times—was due in part to the new Tekton Moab floorstanders . . .

Continue Reading »
Advertisement
Advertisement