Ken Micallef

I walked into the pitch-black room operated by the affable Klaus Bunge, manufacturer of the popular Odyssey amplifier. I stumbled into a seat.

Steve Jain’s Fidelity Imports turned heads at AXPONA with a kaleidoscope of digital and analog sound, a few of which were home-theater focused. They filled no fewer than six rooms, each showcasing an array of products, new and less new, from all corners of the world.

Audiophile dream team Mike Pranka (Dynavector, Well Tempered Lab, JM Reynaud) and Charlie Schnyder (Stereo Haven) transformed room 624 into a sonic oasis. This well-tuned system made up of meticulously curated equipment delivered precision and nuance.

Colin King and Doug K of Gestalt Audio Design of Nashville, Tennessee, presented one of the more unusual looking rigs at AXPONA, complete with a fantastical copper-colored turntable with a steampunk clamp, a pair of bug-eyed loudspeakers each with a field-coil midrange driver, and a master controller that looked like it had been rescued or stolen from a Russian submarine circa 1957.

The Caladan loudspeakers from Clayton Shaw Acoustics ($3000/pair) were a sleeper hit at the Capital AudioFest, so I made a beeline to the fifth floor, slow-motion elevators not withstanding.

In the Innovation room, operated by Joe Corona of Chicago-based dealer Saturday Audio Exchange, two systems played, both featuring new components.

Ampsandsound’s Justin Weber brought a big pile of black vinyl to Chicago, lining the small room’s walls with album jackets. He had me at Sphongle, an electronic industrial act that churned out of the world-debut Ampsandsound Hudson 3-Way speakers ($18,000/pair) like dirty psychedelic water erupting from a broken sewer pipe.