Ken Micallef

Show attendees entered John Semrad and Dave Slagle’s room and let out an involuntary gasp. The components on display epitomized bespoke, handmade craftsmanship, of the highest quality, with purity and provenance their bywords.

At the risk of giving these social media upstarts more attention, my old friend Jason Messina (aka The Audiophile Junky) could be found in the Popori/UniQue room, which is a funny thing. The only time I’ve seen Jason even close to being immobile—i.e., not making videos, which he does, hitting the ground running (I’ve seen it)—is at a show!

Angie Lisi of American Sound of Canada always presents desirable components—CAF2024 was no exception. This year, Lisi launched the North American debut of German-made Perpetuum Ebner turntables, the new Phasemation SA1500 integrated amp, new Avantgarde Colibri Series speakers and subwoofer, new Avantgarde Zero Itron speakers, and her exclusive line of Italian Synthesis Art in Music tube amplification.

Harmonia Distribution brought a respectable system to CAF, including a Grimm Audio MU2 Media Player Streamer Preamplifier ($17,500), PrimaLuna EVO 400 Tube Preamplifier ($4995), and a product I raved about at Stereophile and continue to use, the PrimaLuna EVO 300 Hybrid Power Amplifier ($7195).

What’s in a name? Joe Finn of Timonium, Maryland’s Gramophone clearly knows the answer. He brought a compact system to CAF, one stocked with overachieving gear and equally ambitious cables, courtesy of AudioQuest.

Adrian Ford-Crush manned the Audio Note (UK) room solo at CAF, though whispers circulated about the brand’s major domo Peter Qvortrup lurking in the crowd. Surprisingly, the usual Audio Note techno and classical blasts were replaced by soothing folk and jazz, a balm for weary show-goers.

Voxativ's Inés Adler and Christopher Owens are never caught dead empty-handed at shows. This puts me in a state of expectant glee, as their sound, regardless of genre, always resolves itself into something joyful. Even my neurotic hotel-hall dashes, pad and pen in hand, are washed away in Voxativ’s sonic tide.