Next door to the VPI room showing Harry Weisfeld’s rock ‘em, sock ‘em JBL Everest horns, another system with a VPI source was complemented by a colossal pair of Arion Audio line-array towers and subwoofer columns. The speakers were brought to Rockville by Charlotte, North Carolina’s Arion Audio and Arion's designer/owner Mike Kalellis.
Tenacious Sound had several systems at the show, including those in Room 325 and the Montrose ballroom. Sunday morning, I stumbled into the smaller room, where good sounds were being made by an Audio Hungary X200 integrated tube amplifier ($6499) powering Canton Reference 7K loudspeakers ($6995/pair). A Microsoft Surface Pro laptop streamed Qobuz to a Weiss DAC. Cables were from Audience.
In the room of British Columbia’s Infigo Audio at the Capital Audiofest, CEO/founder Hans Looman was playing Michael Oldfield’s Tubular Bells II. Not quite new age, not “folk-tronica,” the music’s flowing, acoustic melodies and circular rhythms suited Looman, whose ponytail and pleasant banter recalled a taller, younger Obi-Wan Kenobi espousing wisdom and good vibrations. I quickly fell under the spell of Looman, Oldfield, and these attractive Infigo devices.
When a show room plays great music, the job of listening is easy. That’s true for civilians and press alike.
Show attendees can be gruff, show exhibitors grouchy. Add a pandemic and things can get touchy. But if there’s one man you want to see at an audio show, it’s the ever-chilled Jeff Joseph, who gets my nomination for the calmest, best natured manufacturer in high-end audio.
I couldn’t decide what was more impressive, the larger-than-life personality of Bending Wave USA distributor Eliot Goldman or the massive products shown in his WADAX/Goebel room. Either way, I was grateful for the room’s bright light, which gave everything a fresh-scrubbed sheen and made it much easier than most rooms to photograph.
I've used the LKV Research PWR+ Amplifier as part of my reference rig for some time, so it was great to meet LKV’s Bill Hutchins in the flesh at CAF. Connecting with the designer behind a component is always a treat and helps humanize the process of technology-mediated listening.
When I walked into the large Twinbrook room, which was hosted by dealer United Home Audio and distributor Hi End by Oz, its Bulgarian-made Thrax Audio system, complete with reel-to-reel tape deck, was playing Michael Jackson’s “Beat It.” Once I calmed down and got a grip, I found Oz Curran’s Hi End by Oz room to be quite a delight.
To quote his bio created for CAF, “Master furniture maker John Semrad hand-builds each horn loudspeaker with a solid basswood core, poplar cross-ply, and American walnut face veneer. The process takes more 240 hours, and each completed horn weighs 240 pounds. With a Jean Michel Le Cleac'h profile for the horn flare and [full-range] resolution from Oleg Rullit’s Super Aero 8" field coil drivers, these units are offered at $36,000 per pair, including field coil supply.” Those drivers are said to be made of Korean Hanji paper.
I walked into the large Jefferson room, where VPI President Mat Weisfeld was doing something to a turntable while speaking, microphone in hand. He placed Ed Graham’s Hot Stix on the VPI 40th Anniversary HW-40 turntable ($20,000). Insane dynamics ensued, as did a stadium sized soundstage.