Ken Micallef
KLH Model Five loudspeaker
Jazz Record Center's Fred Cohen had called from the UES apartment, the former residence of late CBS Records and Sony Entertainment mastering engineer Harry N. Fein. Fred said, "The records are kind of beat, but the apartment is jammed with tape decks, turntables, cartridges, tubes, midcentury modern furnitureget up here."
Klipsch Forte IV loudspeaker
Thorens TD 124 DD Record Player
A Thorens brochure from that same year itemized the TD 124's "11 main elements that result in 41 advantages." It noted the turntable's "strongly ribbed, solid chassis, crafted in cast aluminum," and its two-part platter including a "flywheel [subplatter], crafted in stabilized cast iron, [which] possesses excellent characteristics for the magnetic shielding of the drive system, as well as great inertia." Continuing, it lauded the TD 124's "main bearing, fitted with a 14mm spindle made of hardened, mirror-polished steel," its braking system, leveling dials, surface-mounted spirit level, and four "mushroom-shaped, rubber dampers [that] guarantee smooth suspension in a built-in frame as well as decoupling from the base."
Vincent SV-737 integrated amplifier
Vincent "offers two 'electrical concepts,'" states the Vincent website. "One side is solid state transistor products. The other is a hybrid technology featuring vacuum tubes on the input stages combined with solid state transistors in the output stage."
Pat Metheny: From His Place
Clearaudio Concept Active Wood turntable
Mary Halvorson: Melt the Frame
Most baby boomers can hum the tune of the Beatles' classic, from Sgt. Pepper's Lonely Hearts Club Band, in a handful of notes. It might take longer to recognize Halvorson's joyous, angular version. A master of jazz phrasing, guitar technique, avant-garde discourse, and effects pedals, Halvorson bends the Beatles song to her 21st century will.
Mytek HiFi Brooklyn AMP+ power amplifier
In my 2018 review of the original Brooklyn AMP, I wrote that the class-D amplifier exuded "a consistent sense of truthfulness, striking resolution that was never analytical, spacious soundstages, superb dynamics, and some of the 'blackest' backgrounds I've ever heard...with the right recordings." I continued, "The AMP let me revel in its reproduction of the low end, with zero overhang or bloat, and profoundly impressive retrieval of micro- and macrodetailbut in doing all this, its touch was always light and never surgical."