Robert Schryer

Dynaudio Contour 30i loudspeaker

Ah, Denmark. Land of the Vikings and blue-eyed, blond-haired folk with faces sculpted just so. I loved my week there as a Stereophile correspondent and member of a scraggly scrum of audio journalists whisked to DALI headquarters on a promotional junket.

Aside from its universal attractiveness, what struck me during my stay in the southernmost and smallest of the Scandinavian countries was how by North American standards the more densely populated cities I visited, Copenhagen and Aarhus, seemed orderly and clean. Cars, pedestrians, and cyclists kept tightly to their lanes. I saw no cigarette butts on the sidewalk and only sparse pockets of graffiti. There seemed to be a natural, sequential flow to everything—an evenness and balance that was close to idyllic.

Outside its bigger cities, Denmark looks pastoral, with long stretches of grassy fields sporadically interrupted by broad bodies of water, and bucolic towns that seem to have sprouted in the middle of nowhere. It's in these towns that a lot of Danish hi-fi is made: DALI in Nørager (population 1143); Dynaudio in Skanderborg (population 20,000). Skanderborg contains evidence of human settlements belonging to the earliest Nordic Stone Age, starting some 100,000 years ago.

Dynaudio doesn't go back quite that far; the company was founded in 1977...

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Octave Audio V70 Class A integrated amplifier

It may be strange to read what I'm about to say in the pages of Stereophile, but it's the cold hard truth so here goes: Audio reviews are inadequate. They don't tell the whole story. They come up short and can even misdirect.

It's not their fault, or at least sometimes it isn't. Even the good ones can't tell you how something will sound to you—let alone make you feel, the ultimate point—in your own room. As helpful as they may be, they can't address the elephant in the listening room: synergy.

In reviewing the Octave Audio V 70 Class A integrated amplifier ($12,000 and up; $15,900 as reviewed), I was reminded of the importance of synergy in our hobby.

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Closing Words

By noon Friday, the 2024 35th edition of the Montreal Audiofest had sold more admission tickets than it had the entire weekend last year, which is great news for the organizers and industry. For the audio reporter seeking a listening seat, never mind in the sweet spot or a good angle to take a photo, it required I do more strategizing than usual, including negotiating several out-of-show-hour visits with exhibitors.
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Gershman Acoustics, Eon Art, Oracle Audio, Cardas Audio

Gershman Acoustics are habitual show exhibitors and it shows. They know how to tease out good sound from an acoustically-challenging hotel room. They've also found a synergistic match for their products with those from their longstanding exhibit partners Eon Art, Oracle Audio, and Cardas Audio, with whom they reunited for this show to present two systems, a smaller one and a bigger one.
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