Robert Schryer

As is typical of their show setups, Focal Naim occupied a large, banquet-style room divvied up into different exhibits and active setups. How can you realistically gauge the sound of a demo while other demoes are playing in the background? The trick Focal Naim used, which worked like a charm, was to move our group among alternating demoes so that only one played at a time.

When I spotted—on a poster affixed to Heaven 11's exhibit room door—Charlton Heston as Moses (?) holding tubes in his arms instead of those famous stone plates, I knew going in I was in for something a little different. Visions of single-ended triodes were dancing in my head.

Friday—opening day—was crazy. I've never visited so many rooms in one day at an audio show—14, to be exact. That's a lot of rooms to cover. As a show reporter, you must take the time to listen to the gear, evaluate its sound, jot down legible impressions, make sense of exhibitors' explanations, get product names and prices, take photos of the gear, and ask for business cards so you can contact someone later if you're missing information. Then, despite my best efforts, I often must make a repeat visit because I forgot to take a particular photo or pick up a price list or ask for the exhibitor's business card. It's time-consuming.