Herb Reichert

Vana Ltd. had two rooms at RMAF. Both rooms had stereo systems set-up, but the first room I entered was filled by a hoard of standing, chattering people of all sexes. It looked like they were making big business deals so I decided to not eavesdrop or interrupt. However, the sound of music coming from the Vana room next door was inviting. I slipped in and was greeted warmly by Nancy Weiner and Audio Physic's Manfred Diestertich.

Last year, Vaughn Loudspeakers' flagship Plasma Signature towers ($20,000/pair), featuring eight midrange drivers in a bipolar configuration (four front and four rear), a 12" powered subwoofer, and their signature plasma tweeter, were my BIG best-in-show discovery…

During my brief audition, this new, 6922 tube-equipped Stax amplifier played smother, slightly fuller, a little lusher, and, less electrostatically…

Dear reader, please stop for a second to imagine how I could go from the above-mentioned MSB room to the $500 setup without feeling pain.

At 8:30am on Friday, my 2017 RMAF began on a solemn note: a moment of silence for Focal's Gérard Chrétien, who passed on October 1st. Along with Jacques Mahul, Monsieur Chrétien was an important member of the Focal team since 1990.

I have always been fascinated by audio power amplifiers. I even tried building about a hundred of them. My best friend in high school, Bill Brier, taught me the basics of soldering, wire management, and reading schematics. He loaned me his Dynaco Stereo 70, and gave me a hot-running, 20W, class-A transistor amp that he'd built on his mother's kitchen table. Bill took me to concerts, and taught me about classical and jazz music. He had perfect pitch, tuned pianos for money, played every instrument in the orchestra, and had memorized the complete keyboard works of J.S. Bach before he turned 16. And this stuff was all on the side—mainly, we built drag race cars together.

In equipment reports, I use the phrase forward momentum to refer to something a little deeper and more encompassing than what's meant by that well-worn Brit-fi expression pace, rhythm, and timing (PRaT). Pace refers to the speed at which a piece of music is being played, and the accurate reproduction of that speed requires audio sources with good dynamic pitch stability. (Digital folk always lord it over LP clingers for digital's superior pitch stability.)