Jason Victor Serinus

With our own Michael Fremer drafted to cut the ribbon, the first annual Florida Audio Expo got underway right on time on Friday morning. Alan Nastir, Board member of the local Suncoast Audiophile Society, began the short ceremony by welcoming everyone and thanking the show organizers. From left to right in the photo above: Alan Nastir; Bart Andeer, President of the Suncoast Audiophile Society and Resolution Acoustics; Ammar Jadusingh (aka AJ), owner of Soundfield Audio; Mike Bovaird, proprietor of Suncoast Audio; and John Chait, a longtime DIY audiophile who is a member of both the Suncoast and Sarasota clubs.

There are many ways to talk about the remarkable Symphonies Nos.1 & 4 • Jeux vénitiens of Polish composer Witold Lutoslawski (1913–1994). You could, for example, approach them as does Kimmo Korhonen, whose extremely detailed and well-thought-out liner notes for the recent Ondine SACD of these works from Hannu Lintu and the Finnish Radio Symphony Orchestra examine the evolution of Lutoslawski's tonal language and explain that they basically represent the beginning (Symphony No.1, 1947), middle (Venetian Games, 1960–1961) and end (Symphony No.4, 1992) of his arc as a mature composer. Or you could simply close your eyes and discover how many fantastic places they take you to.

That's the question raised by Antheil: Orchestral Works (Chandos 10982), the latest anthology of symphonic music by composer/pianist George Antheil (1900–1959). This second Antheil title from John Storgårds and the BBC Philharmonic Orchestra finds Storgårds exploring music written on both sides of Antheil's successful Symphony No.4, which can be found on Vol.1 of what looks to be an ongoing Antheil series.