Jason Victor Serinus

As someone accustomed to thinking of Auralic components as little boxes, the size and casing of their new Sirius G2 upsampling processor ($6000) suggests to me that the company is exploring new territory. It sure sounds that way from this product's description. Due late summer or early fall, the Sirius G2 is intended for placement between a streamer and DAC—any company's DAC—and is claimed to upgrade both "the processing power and the original performance envelope" of the DAC. Auralic's press literature says that by handling a DAC's data processing burden, the Sirius G2 "dramatically reduces the amount of distortion and jitter" of a DAC in its sweet spot, regardless of the incoming resolution of the file.

As Michael Fremer, Paul Messenger, and I were searching for the High End press room, one of several echt German pop-up entertainments surfaced in the lobby. Whether taken as local culture or kitsch depends upon one's point of view . . .

Ours is an era where bargain anthologies from the greatest artists, ensembles, and composers on record compete with new issues of unusual repertoire and transcriptions. One among many that have caught my mind and ear is Alex Klein and Philip Bush’s recording of Twentieth Century Oboe Sonatas.

I first encountered Verity Audio's Monsalvat Amp-60 stereo power amplifier ($58,000) in October 2017, in one of the largest single-system rooms at the Rocky Mountain Audio Fest. After hearing the Amp-60 and Verity's Monsalvat Pre-2 preamplifier drive Verity's Lohengrin IIS loudspeakers ($133,000/pair), I enthused about the "most impressive range of colors and supreme sense of spaciousness" that contributed to the system's "absolutely beguiling" sound.