Scott Walker Audio staked out its own mini-empire at the Hilton Long Beach, occupying six of the hotel's largest suites on the third floor. The first one I encountered revealed the inimitable Ted Denney of Synergistic Research staging a pretty ballsy demo. Ted set up two identical systems in adjacent rooms, both with a McIntosh C2600 tube preamp ($7500) and MC462 Amplifier ($9000), Elac Adante AF61 floorstanding speakers ($4995/pair), Bluesound Node 2i streamer ($500), and Solid Tech Rack ($2600). The difference was that one system took advantage of a Synergistic Research PowerCell 8 UEF SE power conditioner ($2995), new Synergistic Research entry-level Foundation interconnect and speaker cables plus UEF Blue power cords ($4000), and a host of various Synergistic Research room acoustic products ($6500), which in my experience are quite effective if nonetheless baffling to many.
Small does not mean negligible. Especially when a system includes the first West Coast showing of ATC's new CD2 CD player ($2349) and SIA2-100 integrated amp/DAC ($3749).
As one of the only companies to send out a press release prior to the opening of T.H.E. Show, ATCalong with its host, Lone Mountain Audioearned pride of place in my "I can't possibly do them all" list of show coverage priorities.
It's Thursday afternoon at the Hilton Long Beach in Long Beach, California, and signs of T.H.E. Show, which opens on Friday, June 7, at noon, are everywhere in evidence.
It’s a keeper. Those are the thoughts that stuck with me after listening to the British-made Graham Audio LS5/9f ($7999/pair), a two-way reflex loading loudspeaker that had its US launch at Washington state’s Gig Harbor Audio on Saturday afternoon, May 25.
With Trachea, the latest superb recording from Norwegian label 2L [http://www.2l.no], label founder and recording engineer Morten Lindberg continues his commitment to contemporary music. Here, working with Schola Cantorum, Norway’s well-tuned 55-year old chamber choir, under the leadership of Tone Bianca Sparre Dahl, Lindberg scores big with six fascinating and musically accessible choral compositions, all but one of which were written in the last five years.
British digital-audio specialists dCS (Data Conversion Systems) has been on a roll. Since the September 2015 introduction of the Rossini DAC ($23,999), the single-box Rossini Player ($28,499), and the Rossini Clock ($7499), they've released a number of new products and software/firmware updates. In 2016 came network firmware updates that established dCS DACs and Players as Roon endpoints. 2017 brought improved (v1.05) software for the Rossini DAC and Player, and 2018 an update to process MQA, followed by the October 2018 introduction of the Rossini upsampling SACD Transport ($23,500see John Atkinson's review in the May 2019 Stereophile). Then, in January 2019, dCS released their Rossini v2.0 software, which applies to both the Rossini DAC and the Rossini Player, and which is offered free to Rossini owners.
When Dynaudio’s Mike Manousselis told me that the new Dynaudio Confidence 30 ($20,000/pair) has a new Esotar3 tweeter, I thought of John Atkinson, who praised this company’s tweeters in a review some years back. The new tweeter includes a Hexis inner dome to help dissipate back wave energy and, as with all the other new drivers in the speaker, uses new “ultra-powerful” neodymium magnets.
I was never able to take a photo of Octave’s full system, because so many people were walking up to the equipment rack and Focal Scala speakers to ogle Octave’s new Jubilee 300B amplifier (54,000 Euros). (That’s what happens when you display in one of the big glass-entranced spaces surrounding three sides of the first floor Atriums in the MOC.) You’ll have to settle for this photo, taken of a static display on the other side of the room divider from the active system.