Jason Victor Serinus

The Alluxity from AVM-TEC

Daddy Vitus, watch out! Your equipment designer son Alexander, whose relatively young company you've helped bankroll, is hot on your heels. On display were the new Alluxity Pre ONE preamplifier ($8000) and Power ONE amplifier ($11,000). Not yet available in the US, though that may change shortly, the chassis are milled from a single aluminum block. A brief listen to Billie Holiday revealed a nice three-dimensionality, as well as the hard edge that plagued numerous systems on the 29th floor of the Venetian.
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Nola & Nordost

I had a quick look in Nola's room, and as soon as I saw their giant speakers, I knew that these were not going to be in my designated "Under $15k" price range. Indeed, the speakers (whose name escapes me, but it has something to do with boxing) were just under $200k/pair. They sounded great, with tremendous dynamics, but I have trouble relating to speakers in that price range. "Do you have anything new and relatively affordable?" Yes, said Nola's Marilyn Marchisotto. The $9998/pair KO (another boxing reference) was being used in another room in demos by Nordost.
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CES: Strategizing Our Coverage

Robert Deutsch had yet to make his appearance, fresh from performing in two musicals in Canada, when I snapped this photo of some of Stereophile's CES team stressing the show account and plotting our on-line coverage at the Mirage's classy BLT Burger. Pictured, L–R, are John Atkinson, Jon Iverson, Stephen Mejias, and Audiostream.com's Michael Lavorgna.
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CES: Is It a Mirage?

For many years, when the Stereophile crew journeyed to Las Vegas to cover the Consumer Electronics Show, we stayed at what eventually became the Hyatt Place. Not only was it smoke and slot machine-free, quiet, and equipped to serve breakfast gratis, but it was also located just a block from the CES "high performance" exhibits in the Alexis Park and the "alternative" T.H.E. Show in the St. Tropez, and a shuttle bus ride from the Las Vegas Convention Center (LVCC). It was an ideal place to sleep, work, and recoup in... until CES shifted its "high performance" exhibits to the Venetian Hotel on the Strip, and T.H.E. SHOW moved nearby.

At last, Stereophile has caught up with the shows, and made the move to the Mirage. Located just across the street from the Venetian, and down the block from T.H.E. SHOW at the Flamingo, it's a massive hotel whose interior is dominated by a huge, multi-story arboretum complete with towering plants and waterfalls. Behind the registration desk is a huge aquarium, packed with an impressive collection of exotic looking fish whose blank-eyed stares are mirrored in the faces of many of Las Vegas' veteran gamblers. To get to the room elevators, you must walk through the gambling area, with all the smoke, noise, and looks of desperation that are the mark of one side of Las Vegas. Pictured is the alternate reality view from my 5th floor hotel window. Treasure Island is on your left, and the Venetian on your right. Don't even think about what lies in between.

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David Manley, Tube-Amplifier Pioneer, Has Died

David Manley, 73, founder of VTL, Manley Laboratories, and the ViTaL record label, died of a heart attack on December 26, 2012, at a hospital near his home in Varrennes-Jarcy, France. Famously described in the pages of Stereophile by Robert Harley in a 1991 interview as expressing "his strongly held beliefs with a passion and conviction that the printed word does not adequately convey," Manley leaves behind a rich legacy that continues to grow under the leadership of, for VTL, his son Luke Manley and daughter-in-law Beatrice Lam, and for Manley Labs, his fifth wife, EveAnna Manley.
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First Time Ever: Mahler Download in DSD

Just in time for the New Year, Cookie Marenco of Blue Coast Records has released the first-ever DSD (Direct-Stream-Digital) download of the San Francisco Symphony Orchestra's recording of Mahler's Symphony No.1. Recorded live in Davies Symphony Hall in September 2001, shortly after 9/11, and first released as a hybrid SACD in 2003, the recording is one of the only four Mahler symphonies in SFSO's complete Mahler cycle that were recorded directly to DSD.

The Mahler 1 files, available in four formats, are all derived directly from San Francisco Symphony's master, not from a copy of the SACD. The formats include two DSD formats: DFF and DSF. For those whose computer playback software or DACs are not equipped to play DSD files, 24/96 and 16/44.1 PCM files in WAV format are also available.

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Voices to Live For

Every music-loving audiophile has a unique story—a story of the first time he or she was grabbed, body and soul, by a first, usually low-budget listen to a 78, LP, CD, open-reel, cassette, or MP3—a story that continues today in that audiophile's quest for high-end bliss. For me, it was my desire to move closer to the voices of the singers I most loved.
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Winning the Loudness Wars

At the 133rd Audio Engineering Society (AES) Convention at San Francisco's Moscone Convention Center, a full house flocked to aptly numbered Room 133 on October 27 to hear Stereophile's John Atkinson and four other major audio professionals deliver a two-hour presentation, Loudness Wars: The Wrong Drug? Sharing the stage were the panel's chair, Thomas Lund of TC Electronic A/S from Risskov, Denmark; Florian Camerer of ORF of Vienna, Austria; fabled recording and mastering engineer Bob Katz of Digital Domain in Orlando, Florida; and the equally fabled George Massenburg, McGill University, Montreal, Quebec, Canada, who engineered, among other things, that audiophile favorite, Jennifer Warnes' "Bird on a Wire."
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