Stephen Mejias

All Tape Guide

Photo: Teen River, a cassette-only label.

I’ve discussed my (apparently controversial) attraction to cassettes. Besides being affordable, fun, pretty, and filled with interesting sounds and art, cassettes provide a direct and meaningful connection between artist and audience: The person releasing cassettes in 2012 is likely doing so out of passion, with a spirit for adventure, perhaps even a with a distaste for modern technologies and conveniences; the person purchasing cassettes in 2012 probably has similar motivations and interests.

I like cassettes.

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Challenges and Rewards

Sheriff Truman: Jelly donuts?
Dale Cooper: Harry, that goes without saying.

The beast is now in the careful, capable hands of our copy editor, Richard Lehnert. I sent it to him last night, only six days after I began creating this latest collection of “Recommended Components” blurbs&#151the last six months of equipment reports, follow-ups, and column coverage distilled into 150-word gems. Six months squished into six days: less time than it took to create the universe.

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The 2012 Consumer Electronics Show: A Better Way?

Photo: John Atkinson

It looks sort of pretty, doesn't it?

Imagine how much prettier it would be if it were real. Imagine again how much prettier it would be if those bridges and roads and towers weren't there at all.

Every time I stepped from the slow elevator and onto the casino floor at Harrah's, where Stereophile's editors spent their sleepless nights, my hatred for Las Vegas was revitalized. This was like some kind of bad joke, some kind of post-modern torture. Oh, god, I am still here. I would turn right and see the same flashing lights, the same low ceilings, the same people who had been there the night before, still sitting, still smoking, still hoping, still staring blank-faced into spinning screens of cherries, spades, and jokers, and I would wonder why.

Why? Most people who visit Las Vegas seem to be looking for money, sex, drugs, or simple escape. Why are we here?

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DEQX HDP-4 processor

John Atkinson and Kal Rubinson became familiar with DEQX, an Australian company specializing in digital loudspeaker correction and room compensation, during their review of NHT’s Xd active loudspeaker system; I had the opportunity to become acquainted with DEQX at last year’s Rocky Mountain Audio Fest.

Then, the company gave an impressive demo of their HDP-3 standalone processor mated to a pair of Gallo Reference loudspeakers and Parasound amplification, showing room interaction and examining how the sound of the system could be optimized in the frequency, phase, and, most important to DEQX, time domains.

This year, the company gave a similarly impressive demonstration of their new HDP-4 processor ($4995), which should be available in about two months.

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TEAC America’s Reference 01 Series

While we’re on the topic of small things, TEAC America introduced their Reference 01 Series of budget-priced, room-friendly components, including the UD-H01 DAC, A-H01 stereo amplifier, and DS-H01 iPod docking station. (I’m waiting to hear back on the prices, but I’m fairly sure these products retail for hundreds, rather than thousands, of dollars.)
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Parasound’s Z Series

Speaking of great things in small packages, here we see Parasound’s Zphono USB phono preamplifier ($349) and Zdac digital-to-analog converter ($450). Parasound’s Z Series products are handsome, truly affordable, and built like bricks. Interesting side note: The half-width, rack-mount design has its roots in a mic preamp that Parasound built for AMF bowling centers in the 1980s. I bet those mic preamps kicked butt, too.
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