Stephen Mejias

Back in September, I told you a bit about Matmos’s The Ganzfeld EP, which blew my mind and promised many more great things to come.

It’s been a long wait, but The Marriage of True Minds, Matmos’s eighth full-length album, will be released by Thrill Jockey on February 19th. My complete review will appear in our April issue, but you can stream the entire album right now through Pitchfork Advance.

Interested in new cassette releases, but don't know where to start? Cassettivity is a cassette-only distribution site, founded by music lover Dave Sandifer. In 2013, a cassette-only distro might seem like an odd venture, but I was delighted to see it: I’ve had a difficult time keeping up with the many new and exciting cassette-only labels&#151they’re often extremely obscure and titles are often extremely limited&#151so an intelligent distribution channel makes good sense.

Even though my own band has recorded and released a handful of CDs and EPs, the act of making music remains mysterious and awesome. I love it. I’ll never get tired of watching musicians create.

Here, we get a behind-the-scenes look into the making of Dawn McCarthy and Bonnie “Prince” Billy’s upcoming album, What the Brothers Sang, inspired by the music of the Everly Brothers.

Because it's rad.

I found this over at Mark Betcher's "Unearthed in the Atomic Attic" blog, where you can actually hear the album's entire second side. Fun stuff.

While we contemplate high-end audio’s long, slow, and stinking death, Magico, manufacturer of high-performance, high-priced loudspeakers, is in the mainstream press: USA Today ran an article earlier this week, which asked, “How much would you pay to bring music to life?”

Earlier in this show report, I mentioned that the excellent music played in Jeffrey Catalano’s High Water Sound room served as a reminder of my passion for the high-end audio hobby. And it’s true: From time to time, I do need those gentle reminders. So much of high-end audio remains so completely foreign and unobtainable that I sometimes feel entirely out of place.

But in the Music Hall room, I always feel right at home. . .

Over the last several years, whenever I’ve run into High Water Sound’s Jeffrey Catalano at a show, he reminds me that I have an invitation to visit his NYC salon for a proper listen. I smile, thank him, and honestly agree: Yes, we definitely have to get together soon. It’s gotten to the point now that we don’t even have to talk about it. I know what he’s going to say, he knows what I’m going to say. For no good reason at all, I still haven’t made it down to 274 Water Street.