Jim Austin

Book Review: Hi-Fi: The History of High-End Audio Design
Miscellaneous
Jim Austin  |  Jan 30, 2020
Hi-Fi: The History of High-End Audio Design, by Gideon Schwartz, Phaidon Press, 2019. 272pp. $84.97, hard cover.

The ongoing evolution of hi-fi can be measured in any number of ways. Most obviously, we see that evolution in the technologies associated with our industry: in big breakthroughs—mono to stereo, tubes to transistors, analog to digital—as well as incremental improvements in materials and manufacturing techniques.

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Audio Research Reference 160S power amplifier
Tube Power Amp Reviews
Jim Austin  |  Jan 21, 2020
This, our February issue, is the first Stereophile issue to arrive during the year 2020, which marks the 50th anniversary of the founding of Audio Research—in my view one of the key events in the history of high-end audio. So it makes sense for this issue to include an Audio Research review—in this case, of the $20,000 Reference 160 S stereo amplifier.
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Current Events
As We See It
Jim Austin  |  Jan 14, 2020
My first exposure to current-mode phono preamplification was maybe a dozen years ago, when such products were new. The one I received, though nicely packaged, was not ready for prime time. I never smelled smoke, but I never heard sound, either: If it wasn't DOA, it was at a minimum DSAA—Dead Soon After Arrival.
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Slow Listening
As We See It
Jim Austin  |  Dec 18, 2019
Subjectivist audiophiles have long maintained that long-term listening is necessary to assess the quality and character of an audio component. Scientific testing methodologies such as ABX, which require quick and conscious evaluation of a change in the sound, have long struck many of us as insufficient, seeming to miss much that affects our enjoyment of music.
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Hi-Rez Audio Distinguished in Blind Testing
FeaturesNews
Jim Austin  |  Dec 16, 2019
Spectral analysis of a live blues band recording made by John Atkinson, showing content up to 40kHz, from "What's Going On Up There?"

At the October 2019 Audio Engineering Society convention in New York, Yuki Fukuda and Shunsuke Ishimitsu, both of Hiroshima City University, presented results that show quite clearly that listeners can distinguish sounds encoded and reproduced at different sampling frequencies. Their trials differed from the previous ones in one important way: Instead of exposing test subjects to music at different resolutions, they used test tones.

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Devialet Expert 140 Pro integrated amplifier
Integrated Amp Reviews
Jim Austin  |  Nov 29, 2019
My in-person introduction to Devialet's products was under auspicious circumstances. I was in Paris for what would be a month-long vacation; my wife was there to give some lectures, but I was free to roam the city, take pictures, practice my bad French, and enjoy the excellent food—the experience of a lifetime except that, a few days in, I was missing music. Still early in my visit, I wandered by the big Devialet retail store near the Paris Opera; it was closed but it gave me an idea. I soon had two Gold Phantom powered loudspeakers in our Paris studio apartment.
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On Genre
As We See It
Jim Austin  |  Nov 12, 2019
"There are simply two kinds of music, good music and the other kind . . . the only yardstick by which the result should be judged is simply that of how it sounds."—Duke Ellington

Before I became Stereophile's editor—when I still had time for such things—I would occasionally pack up a camera and some lenses, get in my truck, and drive, usually south, in pursuit of good images and sounds. I'd spend a couple of weeks on the road, stopping to take pictures whenever I came across a picturesque town or valley or an abandoned drive-in theater. I'd try to end the day in some city or town that was likely to have live music. A couple of times on every trip, I'd find myself approaching an especially musical place: Clarksdale. Memphis. New Orleans.

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Fyne Audio Loudspeakers, Audia Flyte Electronics, Melco server, Lindemann DAC, Swiss Cables, Quadraspire Racks
Toronto Audiofest 2019
Jim Austin  |  Oct 20, 2019
Scotland's Fyne Audio already has a large lineup of loudspeakers, from small budget standmounts to some serious high-end contenders, like the nominally 96dB/2.83V/m, 8 ohm flagship F1-12, with its 12" concentric driver. I counted 23 models in 5 series, including four subwoofers but not counting their in-wall and in-ceiling lineup.
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Audiovector R3 Avantgarde Arreté Loudspeakers; Goldnote Giglio Turntable, Ph10 Phono Preamplifier, PSU10 Power Supply, and Four-Shelf Rack; Alluxity Pre 2 Preamp with Streaming DAC, Mono One monoblock amplifiers; Synergistic Research PowerCell
Toronto Audiofest 2019
Jim Austin  |  Oct 19, 2019
Should you ground your loudspeakers? With most speakers it's a moot point, since there's no practical way to ground the internal metal parts. A few companies—Tannoy comes to mind—have in the past sold speakers with a grounding pin, claiming reduction of distortion and RF interference.
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Harbeth 30.2 40th Anniversary Loudspeakers; Tontraeger stands; Brinkmann Taurus Turntable, Edison MkII Phono Preamp, and Nyquist DAC; Goldnote DS-10 Streamer; Aesthetix Mimas Integrated Amplifier; HRS Racks; Cardas Cabling
Toronto Audiofest 2019
Jim Austin  |  Oct 19, 2019
After spending time in the Zesto room, I wandered into the other rooms hosted by Canadian audio importer/distributor Tri-Cell.
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