"At a mere $65,000," Martin Colloms states, the <A HREF="http://www.stereophile.com//loudspeakerreviews/909/">Wilson Audio Specialties X-1/Grand SLAMM loudspeaker system</A> "could be regarded as something of a bargain." MC then goes on to explain himself in great detail. The "longest, most thorough speaker review we have ever published!" notes John Atkinson, wiping the sweat from his brow.
More from the August issue: Larry Greenhill updates his system with the <A HREF="http://www.stereophile.com//amplificationreviews/905/">Mark Levinson No.436 monoblock power amplifier</A>. LG says, "I was concerned when [Mark Levinson] discontinued its entire 300 series of dual-mono amplifiers, but the company reassured me that they had a suitable replacement in the No. 436." Greenhill decides for himself.
DVD-Audio is getting a boost from several directions.
From the August issue, Robert Deutsch gives the <A HREF="http://www.stereophile.com//amplificationreviews/901/">Audio Research VS110 power amplifier and SP16L line preamplifier</A> the full treatment. RD reveals how he finds products to review, and more importantly, what he found appealing in the ARC amp and preamp.
The marque may be gone, but <A HREF="http://www.stereophile.com//amplificationreviews/897/">Proceed's PAV audio/video preamplifier</A> is not forgotten. In 1994, Thomas J. Norton examined the breakthrough the PAV represented, stating, "It was inevitable that traditional high-end audio manufacturers would begin producing equipment for the fast-growing home-theater market."
In his 1987 review of the <A HREF="http://www.stereophile.com//loudspeakerreviews/892/">Celestion System 6000 loudspeaker system</A>, Martin Colloms notes, "In the audio field, the British have traditionally thought 'small,' scoring hits both with their compact loudspeakers and with medium-priced amplifiers." MC reveals why the compact but fullrange Celestions are one such hit.
In his review of the <A HREF="http://www.stereophile.com//analogsourcereviews/888/">Clearaudio Champion 2 turntable and Unify tonearm with Benz Micro L2 phono cartridge</A>, Paul Bolin notes, "Turntables are intrinsically cool. Maybe it's that I am of the pre-CD generation, for which the acquisition of one's first <I>really good</I> turntable marked an audiophile's coming of age." Bolin explains why the Clearaudio is a <I>really good</I> player.
Listening room not up to snuff? Kalman Rubinson fires up the <A HREF="http://www.stereophile.com//accessoryreviews/883/">Rives Audio PARC 3-Band Parametric Equalizer</A> to see whether it can tame a wild acoustic beast. KR reports that at "low frequencies, electronic EQ can be implemented without introducing significant distortion or noise in the midrange, where the ear is most sensitive."
One of the most common complaints about multichannel audio has nothing to do with sound quality. It's the lack of multichannel switching on most preamps and receivers that irks most audiophiles.
Brian Damkroger ponders the <A HREF="http://www.stereophile.com//amplificationreviews/878/">Classé Omega monoblock power amplifier</A>. "The Classé Omega is expensive, costing $25,000/pair," notes BD. But he also finds the amp a "drop-dead-gorgeous, massive, industrial-art chunk of aluminum and steel set off with a subtle mix of curves, contours, finishes, and textures." And then there is that Classé sound.