Stereophile Staff

Sort By: Post Date | Title | Publish Date
Stereophile Staff  |  Mar 04, 2001  |  0 comments
Is there really a benefit to those pointy feet you have? Jonathan Scull has been surfing the Internet for cone-footer tweaks and theories and reveals his latest haul of hot finds in Fine Tunes #32.
Stereophile Staff  |  Feb 25, 2001  |  0 comments
For the first time in five years, New York City will play host to the largest hi-fi and home theater show in the US. Home Entertainment 2001 promises to be the largest and most comprehensive such event to date when it takes place this spring at the Hilton New York & Towers Hotel on May 11-13, 2001.
Stereophile Staff  |  Feb 25, 2001  |  0 comments
The Consumer Electronics Association has at last quantified common knowledge: An overwhelming majority of Internet users download news stories, product information, pictures, graphics, audio files, and video clips—all for free. Furthermore, Internet users want and expect to continue getting all this content at no cost, and they are opposed to any kind of governmental regulation or interference that will prevent their doing so.
Stereophile Staff  |  Feb 25, 2001  |  0 comments
Barry Willis remembers well the British invasion: "Really Big Hi-Fi came to live with me for a couple of months this past spring in the form of a pair of Tannoy Churchill loudspeakers." After a challenging delivery, Willis wrestles the Tannoys into place and files his report. Victory at last?
Stereophile Staff  |  Feb 20, 2001  |  0 comments
Many years ago, I awoke one Saturday morning to find my girlfriend, with whom I'd had a knock-down, drag-out fight the night before, out on the street in front of our house having an impromptu yard sale. The sale featured my record collection. We broke up. I still have the records.
Stereophile Staff  |  Feb 18, 2001  |  0 comments
The European Parliament has enacted a strong new law to protect copyrights, approving the use of encryption to prevent piracy of publications, movies, and recorded music. The new measure, known as the Copyright Directive, will give copyright holders better protection in Europe than they enjoy in the US, according to Italian representative Enrico Boselli, sponsor of the law. The widespread availability of advanced digital technology requires establishing "clear rules for consumers, consumer-electronics manufacturers, Internet service providers, and others," Boselli stated.
Stereophile Staff  |  Feb 18, 2001  |  0 comments
Satellite radio may become one of the most successful communications formats ever launched, according to predictions from market research and analysis company The Yankee Group. A new report suggests that satellite radio will take off the way cable TV did back in the 1970s; the result may create permanent changes in the radio industry.
Stereophile Staff  |  Feb 18, 2001  |  0 comments
John Atkinson asked "What's that noise?" He wasn't referring to the piano that Robert Silverman was playing for Stereophile's recording, Concert, but rather to the sound of candy wrappers in the concert hall. The recording survived the crackling ordeal, but the lady with the wrapper did not. JA relates the entire story, and also serves up additional details about the making of the double CD set.
Stereophile Staff  |  Feb 11, 2001  |  0 comments
Controversy may sell magazines, but it can also cause all sorts of editorial and letter-writing ruckus. In "Where's the Real Magazine," John Atkinson follows the heated trail that began when he decided to put a PC soundcard on the cover of Stereophile back in September, followed by a Denon surround receiver (horrors!) that graced the December issue. Included as a bonus is the hot-off-the-presses March 2001 "As We See It" in response.
Stereophile Staff  |  Feb 04, 2001  |  0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.