NY Audio Show 2013

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Stephen Mejias  |  Apr 16, 2013  |  0 comments
“To limit yourself to just vinyl,” says Audioarts’ Gideon Schwartz, “would be ridiculous.”

It’s not that Schwartz doesn’t like vinyl—several LPs were scattered about the beautiful demo room, said to have been the office of Leona Helmsley—but he simply believes that a good system should work well with all music formats, and more, should sound good in many different rooms.

Stephen Mejias  |  Apr 16, 2013  |  0 comments
Bob Sattin—the Bob in Bob’s Devices—introduced his new Step-Up Transformer/VPI Interface Box ($1650), “specially created to improve the performance of a VPI turntable when used with a low-output moving-coil cartridge.”
Art Dudley  |  Apr 16, 2013  |  1 comments
The Audio Note Corporation of Japan—which offers products under the surname of that company's founder, the late Hiruyasu Kondo—has, in recent years, flown so far under the radar that some feared they were defunct. Now the leaders of Kondo have rededicated themselves to this market, with Rhapsody Music & Cinema as their new US distributor.
Art Dudley  |  Apr 16, 2013  |  1 comments
Once hailed as the most expensive amplifier in domestic audio—a distinction that has long since passed by the wayside, even when one accounts for inflation—the legendary Audio Note (Japan) Ongaku was put through its paces in the Kondo room. Though designed as an integrated amp—its stereo pair of 211 tubes, run single-ended, offer 27Wpc—this Ongaku was being used as a power amplifier, by means of its direct inputs. Pricing information was unavailable at the time of my visit.
Art Dudley  |  Apr 16, 2013  |  0 comments
Heard at the NYAS with a Leben CS600 integrated amplifier and an Arcam CD73 CD player, the smartly styled desktop loudspeakers from Well Rounded Sound impressed me far more than at previous shows. Their standard Corgi model ($799/pair), used in parallel with a pair of their passive Woof 4 woofers ($399 each) were surprisingly engaging on the Jimmy Cobb Quartet's Jazz in the Key of Blue: explicit without being bright, with decent color and impact. At NYAS 2013, Well Rounded also debuted two new models: the Jack Terrier SE ($349/pair, shown on the left) and the Corgi Mini ($399/pair, shown on the right).
Stephen Mejias  |  Apr 16, 2013  |  4 comments
Dan Clark’s MrSpeakers Mad Dog headphone ($299) starts as a Fostex T50RP, but adds extremely comfortable lamb-leather ear pads, a leather “comfort strap,” revised 3.5mm and 7mm headphone jacks, and modifications to the headphone cups and driver surfaces.

Clark’s goal was to make a closed-back headphone that would perform well at home and on the go. He says that additional upgrades can be made easily over time, so that customers can “treat each purchase as an investment.”

Art Dudley  |  Apr 16, 2013  |  0 comments
I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.
Art Dudley  |  Apr 16, 2013  |  0 comments
"Glad," a jazz-tinged instrumental by the English band Traffic, sounded great on a Gamut-intensive system from Woodbridge Stereo. Therein, the enormous Gamut S-9 loudspeakers ($101,999/pair in optional ash finish) were impressive, but I enjoyed even more the Gamut S-5 speakers ($30,000/pair), which did a nice job with the song's propulsive, almost Motown-esque beat. Other gear in the system included the Gamut D 150 integrated amplifier ($11,700), Pass Labs XP25 phono preamplifier (ca $10,000), and a prototype version of VPI's forthcoming Vanquish direct-drive turntable (price TBD), with VPI's similarly prototypical epoxy-resin JMW tonearm and a Soundsmith moving-iron phono cartridge. Very nice stuff.
Art Dudley  |  Apr 16, 2013  |  1 comments
Andy Regan of Cardas Audio saw me near the 10th-floor elevators and asked, "Do you have an iPod or an iPhone?" I said that I did, and Andy handed me a leather pouch upon which the Cardas logo had been printed. Inside was an obviously well-made pair of earbuds. "Give 'em a try."
Ariel Bitran  |  Apr 15, 2013  |  1 comments
Innovative Audio Video Showrooms, a New York City hi-fi gallery hosted two rooms this year: one room with an ultimate-truth to recording digital playback system and the ultra-smooth analog room.

Scott Haggart, a passionate Innovative employee and expert hi-fi demo deliverer was in the midst of a presentation upon my arrival. Haggart treats his work with serious care, and as anyone who has experienced one of his demos can attest to, he guides the listeners patiently through the exact gear that they are listening to and details about the music, a skill not many exhibitors at this hi-fi show demonstrated.

Ariel Bitran  |  Apr 15, 2013  |  0 comments
Rear shot of the Burmester 909 stereo amplifier ($73,495).

Last year, Burmester relegated their loudspeakers and amplifiers to the grand ballroom of the Waldorf=Astoria, which made their gear easy to see but less accessible to listen to in a concentrated setting. At the New York Palace, Rutherford Audio, the North American distributor for Burmester, hosted their own listening room on the fourth floor with a diverse range of music ranging from Verdi to Infected Mushroom.

Ariel Bitran  |  Apr 15, 2013  |  0 comments
Simplifi Audio room would be a priority on my first day since I missed them entirely last year where they apparently kicked much booty. Hosted by the amicable duo of Daniel Weiss of Weiss Audio and Tim Ryan of Simplifi Audio, a San Diego-based distributor, their large room was devoted to three different systems that were demoed throughout the weekend. The one I heard and pictured above is the Klangwerk Ella 2-way active speaker system ($7,495) fed by the Weiss DAC202 ($6966) and Weiss MAN301 Network Player ($9083; $12,262 with internal DAC), and Integrita Audiophile Music Server (approximately $6000).
Ariel Bitran  |  Apr 15, 2013  |  5 comments

Some are afraid to admit it. Others are proud. Do you consider yourself an audiophile? Attendees, exhibitors, and members of the press are asked this very question.

Thank you to all who participated.

Stephen Mejias  |  Apr 15, 2013  |  1 comments
Another encouraging sign of the times: At the New York Audio Show, I met several pairs of fathers and sons.

People ask me over and over: How do we get more young people involved in the hi-fi hobby?

Stephen Mejias  |  Apr 15, 2013  |  1 comments
A lot of people talk about reaching out to a wider and more diverse audience, bringing young people and (gasp!) even women into the high-fidelity conversation, but the people behind Salon Son et Image are actually doing something about it.

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