CES 2010

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Jon Iverson  |  Jan 11, 2010  |  6 comments
With 1TB of internal music storage, backup management program and Shoutcast internet radio capability, the Cary Audio Design Music Server appears to be a screaming deal at the estimated $2000-2500 price range. You can also add additional music storage via USB and control everything with an iPhone or Touch running their app.
Erick Lichte  |  Jan 10, 2010  |  First Published: Jan 11, 2010  |  2 comments
One of my favorite things I experienced at CES this year was encountering new audio companies I'd never heard of, especially the ones that seem to be making high-quality components at real-world prices. One of these new surprises was Mystère Audio, distributed in the US by Kevin Deal. Made, like PrimaLuna, in China for Durob Audio, a Dutch company who has been making gear for over 30 years, Mystère showed a full line of amplification components but were playing their pa21 stereo power amplifier ($2995) and ca21 preamplifier ($2195).
Brian Damkroger  |  Jan 10, 2010  |  First Published: Jan 11, 2010  |  4 comments
I started my first day at CES at the Immedia room, where Allen Perkins had a typically (for Immedia) great-sounding system, chock full of new gear—some so new that it doesn't even exist yet, as a product anyway. Starting from the top, there was the second-generation Spiral Groove SG-1.1 turntable fitted with a "production" version of his new tonearm. In this case, "production" means either "honestly, truly the very last prototype before production" or "the genuine first production version...that only differs from what we'll be shipping in a couple of non-functional details" take your pick. Either way, Immedia will begin shipping the arm immediately after the show.
Jon Iverson  |  Jan 11, 2010  |  5 comments
Stereophile scribe Kal Rubinson examines the small forest of connections on the back of the Black Box.
Jon Iverson  |  Jan 11, 2010  |  10 comments
Wadia started life decades ago as a strictly high-end digital company, and though the iPod is the main attraction these days, has not forgotten their roots.
Jason Victor Serinus  |  Jan 10, 2010  |  1 comments
Nothing can beat starting off a morning in a state of grace. That's how it felt when Garth Leerer of Musical Surroundings warmed up the new Clearaudio Concept turntable ($1400) with Borodin's Quartet No.2, appropriately performed by the Borodin Quartet and reproduced on an immaculate Decca pressing. The sound was warm, liquid, and eminently pleasing - everything I would want from good vinyl reproduction.
Jon Iverson  |  Jan 10, 2010  |  9 comments
Designer Peter Madnick, one of the original founders of Audio Alchemy a couple decades back, has returned as part of a new Southern California company called Constellation Audio. In addition to preamp and amplifier offerings, on hand was the $50,000 Sirius DAC and CD player two box system. One box (which they call the "clean box") contains the DAC and audio stuff and then the "dirty box" houses the transport and power supplies (pictured above).
Jason Victor Serinus  |  Jan 10, 2010  |  1 comments
I was real excited to hear the advanced prototype of the new the SMC-1, a fully balanced linestage preamp collaboration between Steve McCormack and Gary Koh of Genesis. The preamp will come in two versions, the higher-priced of the two probably coming in around $8000. For the extra money, you get higher quality parts and a different sonic signature, which amounts to quite a lot.
Jason Victor Serinus  |  Jan 10, 2010  |  2 comments
Irresistible warmth in the midrange. It's not what you usually associate with digital, but it's the only way to describe digital reproduction in the EAR USA room. Auditioned were the EAR Acute CD player ($5495), EAR 509 monoblocks ($14,000), and EAR 912 preamplifier ($11,500), played through the brand-new Marten Getz loudspeakers ($20,000/pair) and connected by Jorma Origo cabling. The new Marten Getz, part of the Marten Heritage series and seen hear in JA's photo with EAR's legendary designer Tim de Paravicini, is a three-way model that combines an active and passive woofer in a single box. The Getz boasts 87dB sensitivity, and a frequency response that extends from 30Hz (–3dB) up to 40kHz.
Jason Victor Serinus  |  Jan 10, 2010  |  5 comments
I've now heard The Lotus Group Granada UB II Loudspeaker with an Active Crossover ($125,000/pair) twice. The first time was in Northern CA, where I joined Joseph Cohen of The Lotus Group and designer/engineer Manny La Carrubba for an extended listening session devoid of all the usual CES attractions. The second time was in the less-hospitable environment of the Venetian. (You have not lived until you try to focus on Fritz Wunderlich singing a transporting Mozart aria while the sounds of Maria Callas suffering through Verdi blast from the other room, and the person sitting behind you decides to discuss the stock market with his companion).
Jason Victor Serinus  |  Jan 10, 2010  |  2 comments
Directly across the hall from Musical Surroundings, Garth and Jim White, owner and designer of Aesthetix Audio Corporation, played the same French jazz recording I had just heard. This time, the Clearaudio Innovation Wood turntable ($10,000) with TT2 linear tonearm ($9500) and daVinci v2 cartridge ($5500) did the honors. Handling the rest were the Aesthetix Rhea Signature phono stage ($7,000), part of the Saturn series and named after one of the moons of Saturn; and the same Aesthetix Atlas power amp ($8000) as used across the hall. Vandersteen Quatro Wood speakers, HRS equipment stand, Kubala-Sosna cables and Running Springs Audio power products completed the chain.
Erick Lichte  |  Jan 09, 2010  |  10 comments
One of the great things about coming to CES is getting the opportunity to hear gear that’s rarely near. I was really happy as I strolled down the 35th floor to walk into the Lamm room. I don’t have a Lamm dealer in Minneapolis so I haven’t ever had the chance to hear this lauded and expensive tube gear.
Erick Lichte  |  Jan 09, 2010  |  1 comments
I reviewed the Pass Labs XA 30.5 a few months back for Stereophile . I loved it. Now Nelson Pass, known for his impulsive but inspired ideas, has taken the same class-A solid-state power amplifier and transformed it into an integrated amp. Though the new INT-30A ($7150) was only on silent display (the unit seen here didn't even have any guts inside!) I hope to hear it in my own system soon.
Erick Lichte  |  Jan 09, 2010  |  2 comments
Technical Audio Devices (TAD) was showing off new monoblock power amplifiers to attach to their well-known line of speakers. The M600 amplifiers ($26,500 each) feature a graphite cast iron monoque construction to help eliminate vibration. Though imposing in size (they weigh 198 lbs each!) the TAD amps feature only one stage of voltage gain. The M600 also features a 22lb transformer, custom-built 33,000µF capacitors, and can put out 600W into 4 ohms. They accept only balanced inputs and will be available in February 2010.
Jason Victor Serinus  |  Jan 09, 2010  |  7 comments
At the last few Nordost demos I've witnessed, I've been amazed by the huge soundstage, deep bass, and tonal accuracy produced by Raidho's diminutive C-1.0 loudspeakers. Imagine my surprise when I learned that this little speaker, no larger than many a bookshelf design, lists for $18,000/pair. Then again, it produces a fuller, larger, and more coherent image than many a full-range floorstander of comparable price. It also has a pretty even 6 ohm impedance, and is said to be very tube friendly.