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Stereophile Staff  |  May 06, 2001  |  0 comments
Brian Damkroger's audio world may have been in a disorienting flux the last several months, but one thing remained a bastion of stability: the Simaudio Moon Eclipse CD player. Damkroger explains why in his complete report.
Barry Willis  |  May 05, 2001  |  0 comments
One of the most esteemed labels in the audiophile universe should soon be back in business. Online retailer Music Direct has purchased remastering and re-release specialty company Mobile Fidelity, according to an announcement made April 24.
Barry Willis  |  Apr 29, 2001  |  0 comments
Little noted by the mainstream media, technology companies are pushing ahead with research and development programs for high-resolution audio. Two announcements in late April indicate that neither DVD-Audio nor the Super Audio CD is a passing fancy.
Jon Iverson  |  Apr 29, 2001  |  0 comments
One argument for the record industry's disappointing sales last year is a combination of high prices for official CD releases coupled with cheap prices for computer-based CD recorders and CD-R blanks. It doesn't look like retail CD prices will be coming down anytime soon, but luckily for the music business, CD-R prices are going up.
Stereophile Staff  |  Apr 29, 2001  |  0 comments
Jonathan Scull asks "What's it take to compete on the bleeding edge of digital?" Apparently more than what's offered by the "large international manufacturing and marketing concerns stalking the earth today." Will the Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor make the cut? Scull's incisive report reveals all.
Barry Willis  |  Apr 29, 2001  |  0 comments
Back in September, the Secure Digital Music Initiative issued a public challenge that offered cash rewards for successfully uncovering and removing watermarks from recorded music. The challenge was met by a number of hackers, most notable among them Professor Edward Felten of Princeton University's Computer Science Department.
Jon Iverson  |  Apr 29, 2001  |  0 comments
Amid news that its watermark technology for DVD-Audio may have been compromised, Verance nonetheless announced last week the launch of its "ConfirMedia" watermarking service. The company says that ConfirMedia will monitor and report the airplay of encoded commercials, music, and programs broadcast by television, cable and radio stations in the 100 top US markets and on the national feeds of major broadcast and cable television networks in the US.
Jon Iverson  |  Apr 22, 2001  |  0 comments
Having previous experience working for the CIA or the KGB may be a bonus on the resume of any aspiring audio industry applicant, it seems. In an effort to stymie the illegal copying and distribution of digital song files, record companies and hardware manufacturers have turned to increasingly complicated tracking technologies such as MPEG-4 and watermarking. The most recent addition to the anti-pirate bag of tricks: "fingerprinting."
Wes Phillips  |  Apr 22, 2001  |  0 comments
On Tuesday, April 17, 2001, New York said farewell to John Lewis in a memorial ceremony at the Cathedral of St. John the Divine. Over 5000 New Yorkers from all walks of life attended, but the most visibly represented community was the musicians.
Barry Willis  |  Apr 22, 2001  |  0 comments
Is the consumer electronics business swimming, sinking, or simply treading water? It all depends on who's talking. Retailers don't appear to be suffering, despite widespread staffing cutbacks by large companies, but the gains are coming more slowly than they did last year.
Stereophile Staff  |  Apr 22, 2001  |  0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
Barry Willis  |  Apr 15, 2001  |  0 comments
During the past year, hardly a day has gone by without headlines announcing the latest twist in the fate of embattled free music service Napster.com. Lost in the hysteria was Napster's tiny rival Emusic.com, a three-year-old online music venture that always charged its subscribers for downloading tunes, and always paid the copyright holders. For news appeal, Emusic's paltry 10,000 subscribers and languishing stock price didn't compare to Napster's reported 75 million users and major league court battles.
Jon Iverson  |  Apr 15, 2001  |  0 comments
In the perfect digital future, audiophiles would be able to drink from the purest of high-resolution audio datastreams with no worry that someone upstream had polluted the current. But in the real world, content providers and hardware manufacturers increasingly conspire to dirty the flow a little and limit unauthorized consumption by controlling the technology needed to filter out their toxic additives.
Stereophile Staff  |  Apr 15, 2001  |  0 comments
To balance or not to balance? That is the audio question that Martin Colloms sets out to answer in Balance: Benefit or Bluff? Although balanced capability is a fashionable feature in many expensive audio products, Colloms writes that "the High End could be paying dangerous, costly lip service to the received wisdom that balanced operation is the goal for an audio system."
Stereophile Staff  |  Apr 15, 2001  |  0 comments
Consumers attending the Home Entertainment 2001 Show in NYC, May 11–13, 2001, will have a unique opportunity to speak with and learn from the home entertainment industry's leading experts. As part of the three-day audio and video extravaganza, the Show will offer educational seminars and panel discussions—included with the admission ticket price on a first come, first served basis. This is a rare opportunity for consumers to meet with legendary industry journalists, manufacturers, dealers, and others.

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