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Music Biz Pins Hopes on DualDisc

Is there a future for high-resolution audio? Will the music industry survive as a packaged-goods business? The answer to both of these questions is "Yes, probably . . ." if the DualDisc follows test market indications and become next year's must-have entertainment format.


Done Deal: Sony BMG

Now there are four. The music industry's "Big Five" record labels officially became the "Big Four" on Thursday, August 5, as Sony Music Entertainment and Bertelsmann Music Group (BMG) finalized a merger months in the making. The partners are the music divisions of Sony Corporation and German media conglomerate Bertelsmann AG, respectively.


Driving the Digital Den

The advent of ubiquitous online digital audio file availability, not to mention a growing number of ways to effectively use a computer to organize and store a media library, has prompted futurists to begin declaring this the eve of the "digital den" era.


Apple vs RealNetworks

A move by RealNetworks to cut the umbilical cord between Apple's iPod and the company's iTunes Music Store has raised the ire of some execs in Cupertino. The computer pioneer is threatening legal and technical retaliation against its Seattle rival in the wake of a late July launch of a digital music technology called Harmony that enables the iPod to work with downloads from RealNetworks' music store.


Project K622

Since it has been five years since the debut of SACD, one might think that the debate as to where it fits within the audiophile food chain would have been put to rest. But as with most things audio, reality conspires to make rational comparisons between formats tough. One is never sure if two releases on different formats have been rendered from the same source, or, as">http://www.stereophile.com/news/11649/">as we discovered with the recent Dark Side of the Moon hybrid SACD, from completely different masters.


Audiophile's Journey

Like most Americans, US audiophiles have little idea how difficult life can be for people in other countries. Imagine facing official censure for possessing some innocuous pop music, or taking 12 years to accumulate the complete works of one of your favorite rock groups. That was life in the old Soviet Union for Stereophile colleague Leonid Korostyshevski, who flew to Istanbul from Moscow on short notice, so we could spend a few days together prior to my embarking on a sailing trip in the eastern Mediterranean. The visit cemented a long-distance friendship established through numberless emails. It was also an in-depth education.


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