News

After posting a round-uphttp://www.stereophile.com/news/110705sony/">round-up; of the news about Sony BMG's F4i's XCP digital rights management system (DRM), which hid itself inside consumers' computers' root-kit code, I spent a frantic week simply trying to keep up with all of the breaking news on the issue on my bloghttp://blog.stereophile.com/wesphillips/">blog;. During the week of November 7, I posted no fewer than 9 URLs outlining breaking news on the Sony story. However, by the end of the week, the company was reeling from the news that hackers had managed to install malware (malicious programs that dismantle a computer's firewall protection) on consumers' computers that masked its presence by using the hidden software placed there by Sony BMG's DRM system.

On November 12, the audio forum Head-Fihttp://www4.head-fi.org/forums/index.php?">Head-Fi; staged a meet at the Adria Ramada Inn and Conference Center in Bayside, NY. You may be asking yourself, What's a Head-Fi meet? That's a complicated question, but the simplest answer is that it's an attempt to provide a real-world equivalent to the sense of community that Head-Fi's forum has engendered on the Internet. It's also a chance for like-minded enthusiasts to share their favorite equipment and software with one another. In a hotel conference room, some 30–40 headphone lovers set up their systems (frequently incorporating more than one headphone amp and multiple sets of headphones) and then everybody started listening, taking turns around the room, and discussing what they'd heard.

Rarely does a day pass when Wes Phillips doesn't send his pals a bunch of emails with links to stuff he's found while Web surfing. Frequently it is audio-related, but even when it's not, there's usually something there worth checking out.

The 2006 edition of the Stereophile Buyer's Guide is out now. Listing the specifications of more than 5000 audio components within its 212 large-format pages, the Buyer's Guide is exclusively concerned with products for music reproduction, as opposed to the bangs, bonks, and battle noises typical of movie soundtracks.

The hits just keep on coming in fair-use land. The Recording Industry Association of America (RIAA) has proposed legislation that requires that all digital radio content be encrypted, including works that now exist in the public domain. The proposed legislation would apply to satellite radio (Sirius, XM) as well as conventional terrestrial broadcasting. As proposed by the RIAA, content could be recorded only in blocks of 30 minutes or longer, and the recorded data could not be exported from the recording device (in other words, you could only play it back on the device you had recorded it on—no more recording programs on your hi-fi to listen to on your way to work). To learn more about this legislation, go to Public">http://www.publicknowledge.org/news/analysis/digital-radio-2pager">Publ… Knowledge's two-page summary. While you're there, you might want to check out "Why">http://www.publicknowledge.org/issues/why">"Why These Issues Matter."

What happens to your old audio components? We're asking Stereophile readers that">http://cgi.stereophile.com/cgi-bin/displayvote.cgi">that very question this week, but the Consumer Electronics Association (CEA) has already studied the habits of general consumers and found that most unwanted consumer electronics go to secondary users, not into America's waste stream.

Stereovox's new Signals: Stereovox, Inc. and Signals-SuperFi, LLC have announced that worldwide distribution for Stereovox products will be handled exclusively by Signals-SuperFi from its Atlanta, GA offices as of November 1, 2005. Known for innovative audio, video, and digital cable technology, Stereovox hopes to increase its exposure and market share by more closely associating with the luxury audio brands represented by Signals-SuperFi.