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On June 15, the Recording Industry Association of America (RIAA), Motion Picture Association of America (MPAA), US Chamber of Commerce, and the Coalition Against Counterfeiting and Piracy (CACP) announced an ambitious agenda to convince Congress and the White House to "transform the enforcement of U.S. intellectual property rights laws."

In his primerhttp://www.stereophile.com/news/061107compression">primer; this week on compression, Wes Phillips mentions the now-ubiquitous use of "louderization" in CD production, which fills in the musical valleys and flattens the expressionistic hills to make a recording sound uniformly loud. Stereophile editor John Atkinson has long railed against this practice, so when Bob Reina asked John to record his new jazz quartet, Attention Screen, John felt that this would be the opportunity to put his money where his mouth was. He would record the band, which mixes electric instruments—guitar and bass guitar—with acoustic—piano and drums—as though it was a classical acoustic ensemble, with no equalization and no compression. By doing so, he would demonstrate that even so, the sound would still have dynamics and impact, that making an honest recording does not have to be an obstacle to powerful sound quality.

On May 30, Apple officially launched iTunes Plus, billed as "DRM-free music tracks featuring high-quality 256kbps AAC encoding for audio quality virtually indistinguishable from the original recordings." The initial material available from the iTunes Plus section of the iTunes Media Store is, for the moment, limited to EMI artists, although other labels have announced pending deals with Apple. The "improved" songs sell for $1.29 rather than the standard 99¢.