News

Plus ça change, plus c'est la même chose. Such is the story of the Montreal Audio Show aka Salon Son et Image (SSI), which takes place this coming weekend, March 28–30. The Chester Group may be sponsoring the show for the first time, and longtime show organizer Michel Plante may have ceded the reins to his partner/wife, Sarah Tremblay, but both the location (the Hilton Bonaventure Hotel) and the show structure are pretty much the same. Tremblay expects about 80 exhibitors—the same as last year—holding forth in 80–100 rooms.

Thumbing their collective nose at pundits who predict the imminent demise of physical media, Universal Music Group has begun reissuing select back catalog and new releases in Pure Audio (audio only) Blu-Ray 24/96 and/or 24/96 download formats. The first of the classical titles appeared in February, with more rolling out all the time. To get the skinny on UMG's plans for Blu-ray and hi-res, I conducted two separate interviews with folks in the UK. The first, with Barry Holden, the extremely committed and highly articulate VP of Classical Catalogue at Universal Music, appears below.

Over half a century after the creation of the prized Everest Records catalog, most of whose 78 classical titles were recorded between 1958 and 1961 on 35mm magnetic tape in three-channel stereo, 61 titles have now been remastered and released in multiple formats. In addition to physical CD and downloadable Mastered for iTunes versions, a still-expanding, luscious hi-res treasure trove of Everest titles may be downloaded from HDTracks's Everest Records pages. All HDTracks titles, remastered from the master tapes in 24/192, are available in both 24/192 and 24/96 versions.

Thursday February 13 was a day most of us in New York would have preferred to stay indoors. With 10” of snow falling since the night before, the Stereophile office closed, the roads in my neighborhood impassable, and public transport iffy at best, I really didn’t want to make the trek into Manhattan. But I did and was glad to have done so. English loudspeaker manufacturer KEF, represented by a team led by the company's brand ambassador Johan Coorg (above right), was promoting a unique event for the press at MSR Studios on 48th Street featuring legendary engineer and producer Ken Scott (above left).

Save the Stereo, a Web-based project dedicated to developing and promoting the best ideas for leading the next generation of music lovers to component-based high-fidelity, launched at the start of the year. Although we have seen a number of prior organizations dedicated to the cause of spreading the gospel of high performance audio wither and die—see John Atkinson's 2005 essay on the subject—this one is different. Because its founder, Gordon White, is soliciting feedback from the audiophile community and developing a grounded action plan before proceeding, perusing the project's website and filling out its all-important, short survey seems more than worth the while of both high-performance audio consumers and industry members.

Ken Shindo, the Japanese audio designer whose electronics, loudspeakers, and accessories have influenced the parallel worlds of tube audio and analog audio, and who is shown above (right) with loudspeaker designer John DeVore, died late last month after a brief illness. He was 74.

Friday–Saturday, January 24–25, 7–9pm: Coup de Foudre (1110 Rue de Bleury, Montréal, QC) will host an event with Philip O’Hanlon of On A Higher Note, US distributor for Luxman, Vivid, and Eclipse TD. O’Hanlon will discuss and demonstrate digital file formats, file conversion, and resolution.

Featured gear will include: