Turntable Reviews

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Analog Corner #292: AVM R 2.3 turntable, Miyajima Destiny phono cartridge, Sutherland Phono Loco phono preamplifier

AVM Audio, which has been in business since 1986 (footnote 1), chose last year to enter the turntable market with two models that reflect the company's brushed-aluminum/blue LED visual aesthetics.


It doesn't take a forensic turntable scientist to figure out who manufactures both of those turntable models. Clearly, Pro-Ject does (footnote 2)—although some audiophiles might recognize only a few key parts. Other elements, especially the two different tonearm models, may appear unique to AVM, having been built to their specs.

Listening #204: the New Garrard 301

Some loss of innocence is expected with both age and experience. Because I tick both boxes, and in spite of my best efforts to the contrary, I'm often a bit blasé in the face of new review samples. I wasn't with this one.


A brief recap: At the 2018 High End show in Munich, UK-based SME announced that they had taken steps to reintroduce the classic Garrard 301, a transcription turntable that's been out of production for more than half a century. At the time of its introduction—production began in 1953—success for the British-built 301 was instant. It was also enduring; it stayed in production through 1965.

Analog Corner #291: SME Synergy LP player, Boulder 508 phono preamplifier

Since acquiring SME in late 2016, Ajay Shirke's Cadence Group has moved cautiously. First, it revamped and cleaned up the company's somewhat chaotic worldwide distribution. More recently, the new owners eliminated from the bottom of the line the SME Model 10 turntable, introduced in 2000.

Analog Corner #290: The Haniwa LP Playback System

Haniwa's Dr. Tetsuo Kubo is an interesting fellow. If you go to shows, domestic or overseas, you've possibly encountered him in his room a space known for being strewn, shrine-like, with LPs that once belonged to The Absolute Sound's founder, the late Harry Pearson: Dr. Kubo was a fan.

TechDAS Air Force V turntable

Unless a truly budget-priced Air Force model is in the works, the TechDAS turntable lineup now seems complete: The recently introduced Air Force Zero ($450,000) is at the top, and the "affordable" Air Force V ($19,500) is at the bottom. The Air Force One, Two, and III turntables, all available in both standard and Premium versions, sit in the costly middle.


There's no Air Force IV because in East Asia that number is considered bad luck—which also explains why Japanese golfers shout "Six!" when someone hooks a shot into an adjacent fairway (joke alert).

HiFiction Thales TTT-Slim II turntable & Simplicity II tonearm

Money, that unreliable buyer of happiness, has at times proven effective at delivering good sound. It can buy other things, as well: Audiophiles can swap cash for products that function as objets d'art, as status symbols, or even as canny investments.


But—do you think money can buy peace of mind for the audio enthusiast who frets over binding voice-coils, leaking capacitors, drifting resistor values, oxidizing connectors, aging or incorrectly biased tubes, and that most pernicious worry of all, distortion and premature record wear from incorrectly aligned phono cartridges? Sadly, most of those neuroses, some quite reasonable, remain unaddressed by cash almighty.

Kuzma Stabi R turntable

I've been the proud owner of a Kuzma Stabi S turntable and Stogi S tonearm since 2001. The combination was an impulse purchase, made after seeing and hearing it in action at Stereophile's Home Entertainment Show at the New York Hilton. Even under unruly show conditions, the Kuzma player created rock-solid images and played music with serious jump factor. With its matte brass finish, tubular bell looks, and overtly industrial design, the Slovenian-made Stabi S/Stogi S was steampunk before steampunk. Looking back, it was one of my best-ever audio purchases.

Gramophone Dreams #25: Dr. Feickert, Jelco, Koetsu, My Sonic Lab

I needed one black tiddledywink (not provided) to use Dr. Feickert Analogue's three-speed, two-motor, two-armboard Blackbird turntable. The tiddledywink was for covering the Blackbird's painfully bright power-on LED so that it didn't blind me when I cued up a record. The first night, in my dark listening room, this tiny indicator sprayed the wall behind and the ceiling above with more light than a bright-emitting 845 vacuum tube.

Analog Corner #280: VPI Avenger Reference turntable, VPI Fatboy tonearm

Turntable manufacturer VPI Industries is about to celebrate its 40th anniversary. Despite analog playback's ups and downs (pun time), VPI has managed not only to survive but to prosper and grow, thanks to a smart product mix that includes high-value, wet-wash/vacuum-dry record-cleaning machines that perhaps took up the revenue slack when, in the mid-1990s, interest in new turntables dipped—but the vinyl faithful still had millions of dirty records to keep clean.
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