J. Gordon Holt

Sort By: Post DateTitle Publish Date

Recording of October 1978: For Duke

Bill Berry and His Ellington All-Stars: For Duke

Works by Duke Ellington

Bill Berry, cornet; Ray Brown, bass; Frankie Capp, drums; Scott Hamilton, tenor sax; Nat Pierce, piano; Marshal Royal, alto sax; Britt Woodman, trombone.

M&K Real-Time RT-101 (direct-to-disc LP).


This is to-date the best direct-to-disc recording I have heard. For once I can't complain about the high end being shrill or hard. The balances are excellent and the performances superior, with each member of the group getting his chance to show off. Marshal Royal's saxophone solos must be heard to be believed, Everyone present is obviously having a good time making music, which is the way it always ought to be but often isn't.

The Audio Centennial (+1) Revolution

Despite the myriads of technological breakthroughs announced month after month with tedious regularity by manufacturers of pickups, amplifiers and loudspeakers, there are only five developments in the 101-year history of audio reproduction (footnote 1) that we would call truly revolutionary. We will doubtless offend many by stating that Edison's phonograph was not one of them. It was the starting point, it was not a turning point. Emile Berliner's disc was revolutionary, in that it changed the whole format of sound reproduction, and made possible true mass production of recordings (footnote 2).

Beveridge 2SW loudspeaker system

This is an electrostatic column speaker, 6' tall and costing $6000/pair. An integral, fan-cooled amplifier is located in the base. The 2SW is said to cover almost the entire frequency range and is based on a patent, number 3,668,335, issued to manufacturer/designer Harold Beveridge on June 6, 1972. Internal acoustic lenses in front of the electrostatic panels widen the speaker's dispersion: In the Beveridge literature, it says "This 6-foot high device consolidated the entire frequency range into a vertical line source, and uniformly disperses it over a horizontal pattern, 180 degrees wide. The beaming characteristics of the high frequencies are ingeniously translated into the same dispersive pattern as the low frequencies, creating a perfectly balanced cylindrical sound wave front."

Recording of April 1978: The Power and the Majesty

This is more to my liking than the other records I review this month! Side 1 is devoted entirely to a real humdinger of a thunderstorm, replete with rain, thimble-sized hailstones, and five minutes of someone diddling with a set of wind chimes. Side 2 is four sequences in the saga of Steam Locomotive 4449, which was refurbished from rusty decrepitude to haul the bicentennial Freedom Train 28,000 miles around the continent.

We Did It!

In 1960 the high-fidelity field was in a period of stasis. The hi-fi boom was starting to crest out, and there were three magazines for audiophiles: High Fidelity, Stereo Review, and Audio. The first two were (and still are) little more than vehicles for their advertising, more dedicated to promoting their advertisers' wares than in advancing the state of the art. Audio was more into equipment testing than either of the mass-hi-fi magazines, but it too was contributing to the stagnation by listening to its test results rather than to the components.

Who's Right? Accuracy or Musicality

Many years ago, the now-defunct Life magazine ran a feature article about science and its sacred cows, in which a cartoon showed a huge inverted pyramid-shaped structure of great complexity, tapering downward to a single support at its base: a toothpick. The toothpick was labeled "basic premise," the inverted pyramid was the entire body of scientific knowledge.


Everything we do or think or know is based upon assumptions, some of which are rather more justified than others. When we set the alarm clock, we assume there will be a tomorrow. When we reach for the car's brake pedal without glancing at it, we assume it will be where it was yesterday, and that it will stop the car. When we scorn a phono cartridge because it is too bright, we assume the brightness is in the cartridge, not in the rest of our system. We have to trust our toothpicks or live in a world totally devoid of security—a world where 2+2 can equal anything from 3 to 11, all the laws change unannounced every few days, and Greenwich Mean Time is determined by a roulette wheel.

Advent 300 receiver

This receiver includes a rather respectable little tuner, almost comparable to the Dyna FM-5 in performance, a 15Wpc power amplifier of passable quality, and a preamplifier section that in some ways gives some of the costliest preamps a run for their money.


If you don't live in a difficult receiving area or are trying to receive long-distance FM, the tuner should satisfy any perfectionist. It is far superior to the FM transmission quality in most US cities anyway. The power amplifier is better than any we have previously found driving the dinky little speakers in most compact systems, but it has neither the power nor the other attributes to replace any of the amplifiers currently in favor with perfectionists.

Formula 4 tonearm

Not the easiest tonearm to set up (let your dealer do it if you aren't overly skilled at such things), this English-designed and Japanese-made device is the best pivoted tonearm we have tested to date, and at a very reasonable price at that. Polk Audio is importing them and distributing to dealers, most of whom sell them for around $130 to $140, and some buyers have managed to purchase them directly from stores in England for as little as $80. We received two samples of this for testing, one directly from the US distributor, Polk Audio, the other from Natural Sound, a Nebraska dealer and (naturally) one of our advertisers. Suffice it to say that both samples were identical in every perceptible manner.
Advertisement
Advertisement
Advertisement